19515060
There Are Many Rooms
19515060
19515060
There Are Many Rooms 4-Part scores gallery preview page 1
There Are Many Rooms 4-Part scores gallery preview page 2
There Are Many Rooms 4-Part scores gallery preview page 3
There Are Many Rooms 4-Part scores gallery preview page 4
There Are Many Rooms 4-Part scores gallery preview page 5
There Are Many Rooms 4-Part scores gallery preview page 6
There Are Many Rooms 4-Part scores gallery preview page 7
There Are Many Rooms 4-Part scores gallery preview page 8
There Are Many Rooms 4-Part scores gallery preview page 9
There Are Many Rooms 4-Part scores gallery preview page 10
There Are Many Rooms 4-Part scores gallery preview page 11
There Are Many Rooms 4-Part scores gallery preview page 12
There Are Many Rooms by Liam Lawton 4-Part - Sheet Music
There Are Many Rooms by Liam Lawton 4-Part - Sheet Music page 2
There Are Many Rooms by Liam Lawton 4-Part - Sheet Music page 3
There Are Many Rooms by Liam Lawton 4-Part - Sheet Music page 4
There Are Many Rooms by Liam Lawton 4-Part - Sheet Music page 5
There Are Many Rooms by Liam Lawton 4-Part - Sheet Music page 6
There Are Many Rooms by Liam Lawton 4-Part - Sheet Music page 7
There Are Many Rooms by Liam Lawton 4-Part - Sheet Music page 8
There Are Many Rooms by Liam Lawton 4-Part - Sheet Music page 9
There Are Many Rooms by Liam Lawton 4-Part - Sheet Music page 10
There Are Many Rooms by Liam Lawton 4-Part - Sheet Music page 11
There Are Many Rooms by Liam Lawton 4-Part - Sheet Music page 12

Ships to you

There Are Many Rooms by Liam Lawton 4-Part - Sheet Music

By Paul Tate
SATB choir, voice solo, assembly, keyboard accompaniment, violin, cello, guitar - Beginning

SKU: GI.G-7561

Composed by Liam Lawton. Arranged by Paul Tate. Easter 5 A, Easter 6 A, Easter 6 C. Celebration Series. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #7561. Published by GIA Publications (GI.G-7561).

UPC: 785147756101. English. Text source: Based on John 14. Text by Liam Lawton. Scripture: John 14.

&hellip,And there are many things to love about this piece! Lawton's thoughtful paraphrasing of verses from John 14, the ever-apparent tunefulness, Tate's sensitive arranging, the way the piece progresses from a simple unison line to a lovely 4-part setting...