Composed by Jerry Goldsmith. Arranged by Chris Siddall. This edition: pdf, streaming. Film/TV. Full Orchestra. 14 pages. Chris Siddall Music Publishing #1314950. Published by Chris Siddall Music Publishing (A0.1754494).
Producer Harvey Bernhard considered composer Jerry Goldsmith to be an absolutely essential member of the production team on all three “Omen” films, retaining his services immediately upon Fox’s green light of the sequels. Unlike the characters on screen, the music was meant as a tool of continuity between the three films, one voice that could serve as a clear identifier of the series for audiences. The Oscar-winning success of the composer’s score for The Omen had been adapted very faithfully in the familiar and redundant tones of Damien: Omen II, and instead of simply regurgitating the famous theme of “Ave Satani” once again for The Final Conflict, Goldsmith took the franchise’s structures in an entirely new direction.
One strikingly refreshing aspect of The Final Conflict that distinguishes it from the previous two scores is Goldsmith’s secondary theme for the second coming of Christ. Along with the less dissonant lines of the title theme, this fluid and beautiful representation of the divine is as attractive as Goldsmith could have possible made it. Truly heavenly in its redemptive tone, this theme is introduced at the end of “Main Titles,” flirted with in soft tones in “Trial Run” and “The Monastery,” and realized fully with grandiose orchestral and choral performances in “The Second Coming” and the climactic “The Final Conflict.”
Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
This product was created by a member of ArrangeMe, Hal Leonard's global
self-publishing community of independent composers, arrangers, and songwriters.
ArrangeMe allows for the publication of unique arrangements of both popular
titles and original compositions from a wide variety of voices and backgrounds.
About Digital Downloads
Digital Downloads are downloadable sheet music files that can be viewed directly on
your computer, tablet or mobile device. Once you download your digital sheet music,
you can view and print it at home, school, or anywhere you want to make music, and
you don't have to be connected to the internet. Just purchase, download and play!
PLEASE NOTE: Your Digital Download will have a watermark at the bottom of each page
that will include your name, purchase date and number of copies purchased. You are
only authorized to print the number of copies that you have purchased. You may not
digitally distribute or print more copies than purchased for use (i.e., you may not
print or digitally distribute individual copies to friends or students).
Composed by Jerry Goldsmith. Arranged by Chris Siddall. This edition: pdf, streaming. Film/TV. Full Orchestra. 14 pages. Chris Siddall Music Publishing #1314950. Published by Chris Siddall Music Publishing (A0.1754494).
Producer Harvey Bernhard considered composer Jerry Goldsmith to be an absolutely essential member of the production team on all three “Omen” films, retaining his services immediately upon Fox’s green light of the sequels. Unlike the characters on screen, the music was meant as a tool of continuity between the three films, one voice that could serve as a clear identifier of the series for audiences. The Oscar-winning success of the composer’s score for The Omen had been adapted very faithfully in the familiar and redundant tones of Damien: Omen II, and instead of simply regurgitating the famous theme of “Ave Satani” once again for The Final Conflict, Goldsmith took the franchise’s structures in an entirely new direction.
One strikingly refreshing aspect of The Final Conflict that distinguishes it from the previous two scores is Goldsmith’s secondary theme for the second coming of Christ. Along with the less dissonant lines of the title theme, this fluid and beautiful representation of the divine is as attractive as Goldsmith could have possible made it. Truly heavenly in its redemptive tone, this theme is introduced at the end of “Main Titles,” flirted with in soft tones in “Trial Run” and “The Monastery,” and realized fully with grandiose orchestral and choral performances in “The Second Coming” and the climactic “The Final Conflict.”
Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
This product was created by a member of ArrangeMe, Hal Leonard's global
self-publishing community of independent composers, arrangers, and songwriters.
ArrangeMe allows for the publication of unique arrangements of both popular
titles and original compositions from a wide variety of voices and backgrounds.
About Digital Downloads
Digital Downloads are downloadable sheet music files that can be viewed directly on
your computer, tablet or mobile device. Once you download your digital sheet music,
you can view and print it at home, school, or anywhere you want to make music, and
you don't have to be connected to the internet. Just purchase, download and play!
PLEASE NOTE: Your Digital Download will have a watermark at the bottom of each page
that will include your name, purchase date and number of copies purchased. You are
only authorized to print the number of copies that you have purchased. You may not
digitally distribute or print more copies than purchased for use (i.e., you may not
print or digitally distribute individual copies to friends or students).
Preview: The Second Coming - Score Only
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