The Sacred Spheres by Tyler S. Grant Concert Band - Sheet Music

By Tyler S. Grant

The Sacred Spheres by Tyler S. Grant is written in two contrasting movements. The title of the first movement, From Harmony, from heav'nly harmony..., comes directly from the first line of John Dryden's poem, A Song for St. Cecilia's Day. The first few notes musically depict the beginning of the universal framework described in the text through delicate textures and orchestrations that develop as the movement progresses. The second stanza of the poem highlights the capacity for musical elements to inspire passion, which is represented at the climax of the first movement. The second movement, Cries, hark the foe comes, picks up the poem from the third stanza, highlighting the spectrum of emotions that can be summoned by various instruments. The beginning of the movement highlights the trumpet's loud clangor along with drums that inspire war and conflict. The movement transitions to a section of mourning through the sound of a warbling flute. The ending of the movement combines the final stanzas along with the Grand Chorus to recapitulate earlier material and create a celebratory and impactful finale. Commissioned by a consortium of bands in honor of Randall O. Coleman; Recorded by the Kennesaw State University Wind Ensemble.

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Details

Ensembles:
Concert Band
Composers:
Tyler S. Grant
Publishers:
Tyler S. Grant Music Works
UPC:
038081585109
Format:
Score
Item types:
Physical
Level:
Grade 5 Advanced
Artist:
Tyler S. Grant
Usages:
Sacred
Shipping Weight:
1.13 pounds

Concert Band Pending - Advanced; Grade 5

SKU: PE.TSGB026S

Composed by Tyler S. Grant. Concert Band; Performance Music Ensemble. Tyler S. Grant Music Works. Programmatic. Score. Tyler S. Grant Music Works #98-TSGB026S. Published by Tyler S. Grant Music Works (PE.TSGB026S).

UPC: 038081585109.

The Sacred Spheres by Tyler S. Grant is written in two contrasting movements. The title of the first movement, From Harmony, from heav'nly harmony..., comes directly from the first line of John Dryden's poem, A Song for St. Cecilia's Day. The first few notes musically depict the beginning of the universal framework described in the text through delicate textures and orchestrations that develop as the movement progresses. The second stanza of the poem highlights the capacity for musical elements to inspire passion, which is represented at the climax of the first movement.

The second movement, Cries, hark the foe comes, picks up the poem from the third stanza, highlighting the spectrum of emotions that can be summoned by various instruments. The beginning of the movement highlights the trumpet's loud clangor along with drums that inspire war and conflict. The movement transitions to a section of mourning through the sound of a warbling flute. The ending of the movement combines the final stanzas along with the Grand Chorus to recapitulate earlier material and create a celebratory and impactful finale.

Commissioned by a consortium of bands in honor of Randall O. Coleman; Recorded by the Kennesaw State University Wind Ensemble.