4289097
The Rhinegold
4289097
4289097
4289097
Copyright Material for Preview Only - Sheet Music Plus
Organ
SKU: BR.EB-8726
Introduction and Finale. Composed by Richard Wagner. Edited by Klaus Uwe Ludwig. Arranged by Klaus Uwe Ludwig. Solo instruments; Softcover. Edition Breitkopf.
Klaus Uwe Ludwig found in the original score a highly colorful, variegated orchestral work that was practically asking to be transferred to the organ. The result is virtually a new orchestration.
Opera; Music theatre; Romantic. Score. 24 pages. Breitkopf and Haertel #EB 8726. Published by Breitkopf and Haertel (BR.EB-8726).
ISBN 9790004181034. 12 x 9 inches.
With these two transcriptions by Reger (EB 8725) and Wagner (EB 8726), Breitkopf launches a new little publication series destined to meet the ever-growing interest in organ transcriptions. In each case, Klaus Uwe Ludwig found in the original score a highly colorful, variegated orchestral work that was practically asking to be transferred to the organ. The result is virtually a new orchestration. Organs from the Romantic era have proven especially well suited to these transcriptions, as their world premieres at the Walcker organ (1911) in Wiesbaden's Lutherkirche have shown.
Klaus Uwe Ludwig found in the original score a highly colorful, variegated orchestral work that was practically asking to be transferred to the organ. The result is virtually a new orchestration.
Organ
SKU: BR.EB-8726
Introduction and Finale. Composed by Richard Wagner. Edited by Klaus Uwe Ludwig. Arranged by Klaus Uwe Ludwig. Solo instruments; Softcover. Edition Breitkopf.
Klaus Uwe Ludwig found in the original score a highly colorful, variegated orchestral work that was practically asking to be transferred to the organ. The result is virtually a new orchestration.
Opera; Music theatre; Romantic. Score. 24 pages. Breitkopf and Haertel #EB 8726. Published by Breitkopf and Haertel (BR.EB-8726).
ISBN 9790004181034. 12 x 9 inches.
With these two transcriptions by Reger (EB 8725) and Wagner (EB 8726), Breitkopf launches a new little publication series destined to meet the ever-growing interest in organ transcriptions. In each case, Klaus Uwe Ludwig found in the original score a highly colorful, variegated orchestral work that was practically asking to be transferred to the organ. The result is virtually a new orchestration. Organs from the Romantic era have proven especially well suited to these transcriptions, as their world premieres at the Walcker organ (1911) in Wiesbaden's Lutherkirche have shown.
Klaus Uwe Ludwig found in the original score a highly colorful, variegated orchestral work that was practically asking to be transferred to the organ. The result is virtually a new orchestration.
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