20665104
The Real Conga Book
20665104
20665104
The Real Conga Book Percussion scores gallery preview page 1
The Real Conga Book Percussion scores gallery preview page 2
The Real Conga Book Percussion scores gallery preview page 3
The Real Conga Book Percussion - Sheet Music
The Real Conga Book Percussion - Sheet Music page 2
The Real Conga Book Percussion - Sheet Music page 3

Ships to you

The Real Conga Book Conga, Clave, Djembe or Timbales Percussion - Sheet Music

Percussion - Beginning-Intermediate

SKU: MB.610477

Conga, Clave, Djembe or Timbales. Composed by Herwig Stieger. This edition: Perfect Binding. Percussion, Rock, World, Latin , Technique, Perfect binding. World. Book/CD set. 143 pages. Mel Bay Publications, Inc #610477. Published by Mel Bay Publications, Inc (MB.610477).

ISBN 9783899222029. 8.75 x 11.75 inches.

The Real Conga Book, including MP3-CD audio examples and play-along pieces from chapter 4 Sounds & Technique for Congas is the first publication by the Austrian live and studio percussionist Herwig Stieger, who works as an endorser for Meinl Percussion and Mehmet Istandbul cymbals. Through his many years working with non-European music and his numerous study visits to Turkey Orient Percussion , Cuba Havana and Santiago de Cuba, Latin Percussion and West Africa Benin and Burkina Faso, Afro Percussion , he has come into contact with the percussion instruments of the countries he has visited, as well as their joie de vivre and mentality, in an intense way. He wants to pass on these experiences to his pupils and promote their techniques, coordination, creativity and musicality.This course book therefore presents a comprehensive teaching and playing material of the Latin American way of playing the conga, as well as of percussion instruments like the clave, djembe or timbales. In 10 chapters that build upon one another, the player will learn everything about notation for the instruments like conga, djembe, shekere and timbales , rhythm, clave, cascara and cowbell patterns, and sounds and technique for the conga e.g. open and muffled tones, slap and floating hands . However, the largest section of the book is dedicated to short exercises and pieces which lead to rhythmical independence.The Afro-Bell pattern, the heel-top system and the floating hands triplets and grooves, the bembe and the abakua style are presented in this way. The various rumba clave forms are given plenty of space in binary, 3/2 or triplets . Further chapters are dedicated to solo patterns with binary and ternary combinations , traditional grooves and breaks and Cuban rhythms e.g. tumboa, son, songo, rumba, cha-cha-cha, bolero and others . However, even modern grooves for the conga and tumba are presented. Many small ensemble pieces in the various chapters round off the exercises and allow this book to be used in group lessons as well.The audio examples and play-along pieces recorded onto the CD convey the authentic sound and the joy of playing this musical style and are thereby a big help for pupils. Another particularity of this book is the fact that the author has explained the sounds and percussion techniques in a YouTube video. A list of CD and literature tips gives you the opportunity to delve further into the world of Latin American music.

  • CD Index
  • Preface
  • I Notation
  • Notation for Conga
  • Notation for Djembé
  • Notation for Shekeré
  • Notation for Timbales
  • II Rhythm
  • Notes & Rests
  • Independence and Coordination
  • Criminal Smooth
  • Playing Solos
  • Rhythm Patterns with Different Sounds
  • The Triplet
  • III Clave Cáscara Cowbell Patterns
  • The Clave Rhythm
  • Clave Rhythms
  • Clave, Cáscara, Cowbell Patterns
  • Patterns in 6/8 Time
  • Clave, Cáscara & Cowbell Patterns
  • IV Sounds and Technique for Congas
  • Open Tone
  • Open & Muffled Tones
  • Alternating Hand
  • Slap
  • Conga Sounds & Techniques
  • Exercises for Heel Tip Technique (4/4 Time)
  • Floating Hand Technique for Two Congas
  • Floating Hands
  • (Conga & Tumba)
  • Let’s Groove Together
  • Rhythm Is It!
  • V Rhythmical Independence
  • 6/8 Pattern
  • Afro Bell Pattern in 6/8 Time
  • Ostinato
  • Bembé Style
  • 4-Mar
  • Abakuá Style
  • Free Rumba
  • Clave y Guaguancó
  • Samba (Brazil)
  • Patterns for Samba
  • Rumba Clave (binary)
  • Rumba Clave 3/2
  • Rumba Clave 3/2 «Son Clave
  • Rumba Clave (ternary)
  • Son Clave 2/3 – Rhythmical Shifts
  • Rhythmical Shifts
  • Heel Tip System
  • Floating Hand Triplets
  • Melodies for Conga and Tumba (ternary)
  • Floating Hand Grooves
  • Exercises
  • The Killer
  • Coordination Exercises
  • VI Solo Patterns
  • Solo Patterns … binary
  • Binary Combinations
  • Solo Patterns … ternary
  • Ternary Combinations
  • VII Traditional Grooves & Breaks
  • Traditional Breaks
  • VIII Cuban Rhythm
  • Tumbao
  • Latin Patterns
  • Son
  • Tumbao Conga Patterns
  • Tumbao Variations
  • Tumbao Rhythmical Shift
  • Tumbao Fills
  • Triplet Son Variations
  • Songo
  • Rumba
  • Rumba Guaguancó
  • Havanna Style
  • Mozambique
  • New York version of a Mozambique
  • Traditional Rhythms
  • Cha-Cha-Cha
  • Bolero
  • Changüí
  • Conga» & «Comparsa» (Cuba)
  • Pilon
  • Cha – Changüí – Conga – Pilón – Bomba
  • Pilón «Modern Style»
  • Timba
  • Afro/Cuban – 12/8 – 6/8 – 4/4
  • Bomba
  • IX Modern Grooves
  • Modern Triplet Grooves for Conga & Tumba
  • X Ensemble
  • Carneval
  • Calypso Touch
  • Five Latin Grooves for Percussion Ensemble
  • Modern Groove
  • CD Tips
  • References