19532700
The Complete Canzonets
19532700
19532700
19532700
Copyright Material for Preview Only - Sheet Music Plus
Chamber Music Trumpet in Bb 1, Trumpet in Bb 2
SKU: CF.BQ119
For Two Voices Edited for Two Trumpets. Composed by Thomas Morley. Edited by Mark Dulin. This edition: saddle-wire stitch. Sws. Full score. With Standard notation. Balquhidder Music #BQ119. Published by Balquhidder Music (CF.BQ119).
ISBN 9780825882913. UPC: 798408082918.
This volume contains the complete works from Thomas Morley's First Book of Canzonets for Two Voices. They are comprised of nine instrumental fantasies and twelve pieces with lyrics that could have been sung, played on instruments or a combination of the two. The instrumental works were most likely played on viols or recorders. Mark Dulin has adapted these works for trumpet, and since the original works do not indicate dynamics, tempo markings or articulation, he has elected to exclude them here as well. Playing a few of these pieces as a suite would be excellent for performance, and they are also useful tools in studying intonation, imitation and early music performance.
Chamber Music Trumpet in Bb 1, Trumpet in Bb 2
SKU: CF.BQ119
For Two Voices Edited for Two Trumpets. Composed by Thomas Morley. Edited by Mark Dulin. This edition: saddle-wire stitch. Sws. Full score. With Standard notation. Balquhidder Music #BQ119. Published by Balquhidder Music (CF.BQ119).
ISBN 9780825882913. UPC: 798408082918.
This volume contains the complete works from Thomas Morley's First Book of Canzonets for Two Voices. They are comprised of nine instrumental fantasies and twelve pieces with lyrics that could have been sung, played on instruments or a combination of the two. The instrumental works were most likely played on viols or recorders. Mark Dulin has adapted these works for trumpet, and since the original works do not indicate dynamics, tempo markings or articulation, he has elected to exclude them here as well. Playing a few of these pieces as a suite would be excellent for performance, and they are also useful tools in studying intonation, imitation and early music performance.
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