The Christmas Truce for Mixed Choir and Ensemble by Judith Bingham 4-Part - Sheet Music

By Judith Bingham

Winner of the 2004 British Academy Award for Choral Music

Print edition
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Details

Instrument:
Choir
Ensembles:
4-Part SATB
Genres:
21st Century 20th Century Christmas Carols
Composers:
Judith Bingham
Publishers:
Edition Peters
Series:
Women Composers and Arrangers
ISBN:
9790577089577
Format:
Octavo Collection / Songbook
Item types:
Physical
Artist:
Judith Bingham
Usages:
School and Community
Number of Pages:
60
Shipping Weight:
0.56 pounds

Choir Secular SATB Chorus-2 trumpet-strings-percussion-Chamber organ

SKU: PE.EP71191B

For Mixed Choir and Ensemble. Composed by Judith Bingham. Choral Octavo. Edition Peters. Christmas; Winter. Book. 60 pages. Duration 00:25:00. Edition Peters #98-EP71191B. Published by Edition Peters (PE.EP71191B).

ISBN 9790577089577. English.

Winner of the 2004 British Academy Award for Choral Music

commissioned by BBC Radio 3 and first performed December 11th, 2003 by Robert Quinney (organ); the BBC Singers, and the Britten Sinfonietta, conductor Nicholas Cleobury; Saint Andrew's Hall, Norwich

Text: eyewitness and newspaper accounts selected, adapted, and poeticised by the composer

2nd edition (incorporates a number of small changes and revisions made after the premiere

Dedicated to my grandfathers, Vivian Thomas MacGowan and Bruce Percy Bingham, who were there. - Judith Bingham

An R.A.F. flying officer, R.J. Fairhead, observed after the Second World War that if the soldiers along the Western Front in 1914 had refused to go back to fighting after the Christmas Truce, there would have been no 'power-mad dictators' in Europe and WW2 with its loss of millions of lives would never have happened. God's Truce. as many called it at the time, seemed a pivotal moment of opportunity for the western world, and yet the rank and file soldier by and large went back to fighting afterwards with nary a backward glance. One man described it as nothing more than an inteval in a boxing match, and indeed many of the extraordinary events that took place still seem based on competition and conflict - football matches (the Germans winning, generally), chasing rabbits and hares, swapping food and souvenirs, and the alternate singing of carols and folk songs.

And yet it is hard to get away from an overwhelming feeling of wonder and compassion when reading about the Truce. The Christmas setting is part of it - the fact that the Incarnation itself took place in a hostile and dangerous setting somehow imbues the Truce with a sense of the miraculous, of God intervening. The terrifying contrast, too, between the sentimental songs sung by both sides; in particular O Tannenbaum and Silent Night, and the unbelievable level of brutality and dehumanizing violence evokes in us, as.