19926037
That All May Be One
19926037
19926037
That All May Be One 4-Part scores gallery preview page 1
That All May Be One 4-Part scores gallery preview page 2
That All May Be One 4-Part scores gallery preview page 3
That All May Be One 4-Part scores gallery preview page 4
That All May Be One 4-Part scores gallery preview page 5
That All May Be One 4-Part scores gallery preview page 6
That All May Be One 4-Part scores gallery preview page 7
That All May Be One 4-Part scores gallery preview page 8
That All May Be One 4-Part scores gallery preview page 9
That All May Be One 4-Part scores gallery preview page 10
That All May Be One 4-Part scores gallery preview page 11
That All May Be One 4-Part scores gallery preview page 12
That All May Be One by Paul Tate 4-Part - Sheet Music
That All May Be One by Paul Tate 4-Part - Sheet Music page 2
That All May Be One by Paul Tate 4-Part - Sheet Music page 3
That All May Be One by Paul Tate 4-Part - Sheet Music page 4
That All May Be One by Paul Tate 4-Part - Sheet Music page 5
That All May Be One by Paul Tate 4-Part - Sheet Music page 6
That All May Be One by Paul Tate 4-Part - Sheet Music page 7
That All May Be One by Paul Tate 4-Part - Sheet Music page 8
That All May Be One by Paul Tate 4-Part - Sheet Music page 9
That All May Be One by Paul Tate 4-Part - Sheet Music page 10
That All May Be One by Paul Tate 4-Part - Sheet Music page 11
That All May Be One by Paul Tate 4-Part - Sheet Music page 12

Ships to you

That All May Be One by Paul Tate 4-Part - Sheet Music

By Paul Tate
SATB choir, assembly, keyboard accompaniment, guitar - Beginning

SKU: GI.G-8382

Composed by Paul Tate. Body and Blood of Christ A, Body and Blood of Christ B, Body and Blood of Christ C. Celebration Series. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #8382. Published by GIA Publications (GI.G-8382).

UPC: 785147838203. English. Text by Paul A. Tate. Scripture: John 17:21, Luke 9:48, Luke 13:30, Mattthew 19:20, Mark 10:31, Mark 20:16.

The melody of "That All May Be One" has a range of about an octave, but within those few notes, the composers have created a thing of beauty. The part-writing is accessible, but does much to illuminate the text.