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  • Tenebrae by Enjott Schneider Voice - Sheet Music

Tenebrae for Soprano, Violin and Organ (Score and Parts) by Enjott Schneider Voice - Sheet Music

By Enjott Schneider

In this composition Schneider uses the famous words from the liturgy for Good Friday: “Darkness fell, and on the ninth hour Jesus called out with a loud voice: My God, why hast Thou forsaken me?” Here he draws on the earlier form of the “trope”, using what was a common device in composition in medieval times, inserted into already completed works as a sort of commentary. In this sense • making use of the post-modern principle of suggesting links across the ages • TENEBRAE makes reference to the motet “Tenebrae factae sunt” (Schott, C 51305) by Davide Perez (1711-1782), from which some melodic fragments have been taken and freely developed. An explosively contrived stylisation is set against the self-contained world of sound in the original piece. A recording of this title is available on CD WER 62962.

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Details

Instrument:
Voice
Genres:
Classical
Composers:
Enjott Schneider
Publishers:
Schott Music
UPC:
073999348576
ISBN:
9790001135658
Format:
Score Set of Parts Score and Parts
Item types:
Physical
Level:
Advanced
Artist:
Enjott Schneider
Usages:
School and Community
Number of Pages:
53
Size:
9.0x12.0x0.164 inches
Shipping Weight:
0.63 pounds

Score and Parts Organ; Violin; Voice - advanced

SKU: HL.49013058

For Soprano, Violin and Organ (Score and Parts). Composed by Enjott Schneider. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Score and Parts. Composed 1990. 53 pages. Duration 18'. Schott Music #ED 9668. Published by Schott Music (HL.49013058).

ISBN 9790001135658. UPC: 073999348576. 9.0x12.0x0.164 inches.

In this composition Schneider uses the famous words from the liturgy for Good Friday: “Darkness fell, and on the ninth hour Jesus called out with a loud voice: My God, why hast Thou forsaken me?” Here he draws on the earlier form of the “trope”, using what was a common device in composition in medieval times, inserted into already completed works as a sort of commentary. In this sense • making use of the post-modern principle of suggesting links across the ages • TENEBRAE makes reference to the motet “Tenebrae factae sunt” (Schott, C 51305) by Davide Perez (1711-1782), from which some melodic fragments have been taken and freely developed. An explosively contrived stylisation is set against the self-contained world of sound in the original piece. A recording of this title is available on CD WER 62962.

  • Prima Pars: Tenebrae factae sunt (Finsternis wurde...)

  • Secunda Pars: Et circa horam nonam exclamavit Jesu voce magnam: Deus meus, Deus meus, utquid me derelequisti? (...und um die neunte Stunde rief Jesus mit lauter Stimme: Mein Gott, warum hast du mich verlassen?)

  • Tertia Pars: Et inclinato capite emisit spiritum (Er neigte sein Haupt und gab seinen Geist auf)

  • Quarta Pars: Exclamans Jesu voce magnam ait: Pater in manus tuas commendo spiritum meam (Jesus rief laut: Vater, in deine Hande befehle ich meinen Geist!)

  • Quinta Pars: Et inclinato capite emisit spiritum (Er neigte sein Haupt und gab seinen Geist auf.)

    • More by this Composer:
    Enjott Schneider Enjott Schneider Choir Enjott Schneider Organ Enjott Schneider Organ Accompaniment
    Instrument:
    Vocal Voice
    Artists:
    Enjott Schneider
    Publisher:
    Schott Music