Te Deum in D major H 146 by Marc-Antoine Charpentier Mixed Choir - Sheet Music

By Marc-Antoine Charpentier

The"Te Deum"(H 146) is unquestionably the best known composition of Marc-Antoine Charpentier (1643-1704), especially since its"Prelude en rondeau"was made the Eurovision signature tune. Although Charpentier set the"Te Deum"altogether four times, this is his only setting employing a"military band", i.e. trumpets and kettledrums. This brilliant and magnificent piece was frequently played at victory celebrations and other occasions of public jubilation during the 17th century. Even today it is still ideal for festive church services and concerts.The present edition stands at the forefront of scholarship and provides a complete, newly edited Urtext of Charpentier's masterpiece.

Print edition
$22.29
$30.95
You save: $8.66 ~ 28%

WELCOME20 activated

Ships in 1 to 2 weeks
Special order item, ships once received from publisher.
Quantity save 5% on 2 or more
1
Get a 10% discount with SMP Plus subscription

Details

Format:
Vocal Score
Item types:
Physical
Artist:
Marc-Antoine Charpentier
Arrangers:
Andreas Kohs
Usages:
Sacred
Main Key:
D Major
Size:
10.63 x 7.48 inches
Shipping Weight:
0.48 pounds

Soprano voice solo, alto voice solo, tenor voice solo, bass voice solo, mixed choir, piano (Soprano Voice Solo, Alto Voice Solo, Tenor Voice Solo, Bass Voice Solo, Mixed choir, 2 Fl, 2 Ob, 2 Trp, timpani, Org, Str) - Level 3

SKU: BA.BA07593-90

Composed by Marc-Antoine Charpentier. Edited by Helga Schauerte-Maubouet. Arranged by Andreas Kohs. This edition: urtext edition. Stapled. Barenreiter Urtext. Vocal Score. H 146. Baerenreiter Verlag #BA07593-90. Published by Baerenreiter Verlag (BA.BA07593-90).

ISBN 9790006525430. 10.63 x 7.48 inches. Key: D major. Text Language: Latin.

The"Te Deum"(H 146) is unquestionably the best known composition of Marc-Antoine Charpentier (1643-1704), especially since its"Prelude en rondeau"was made the Eurovision signature tune. Although Charpentier set the"Te Deum"altogether four times, this is his only setting employing a"military band", i.e. trumpets and kettledrums. This brilliant and magnificent piece was frequently played at victory celebrations and other occasions of public jubilation during the 17th century. Even today it is still ideal for festive church services and concerts.

The present edition stands at the forefront of scholarship and provides a complete, newly edited Urtext of Charpentier's masterpiece.