5897980
Te Deum H 148
5897980
5897980
5897980
Copyright Material for Preview Only - Sheet Music Plus
Mixed choir, basso continuo - Level 2
SKU: BA.BA07591
Composed by Marc-Antoine Charpentier. Edited by Helga Schauerte-Maubouet. This edition: urtext edition. Stapled. Barenreiter Urtext. Vocal Score. H 148. Baerenreiter Verlag #BA07591. Published by Baerenreiter Verlag (BA.BA07591).
ISBN 9790006524921. 10.63 x 7.48 inches.
The Te Deum, H 148, is the last of the six settings of this text by Marc-Antoine Charpentier (1643–1704), whose death is now being commemorated three centuries later.
Unlike the better known and relatively lavish Te Deum of the “Eurovision Fanfare” (H 146), this version reduces the ensemble to four-voice chorus and basso continuo. Thanks to its relatively simple fabric, it is thus ideally suited for church choirs and small amateur ensembles.
Despite its reduced forces, this Te Deum proves to be an impressive work of great effect in performance.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding
Mixed choir, basso continuo - Level 2
SKU: BA.BA07591
Composed by Marc-Antoine Charpentier. Edited by Helga Schauerte-Maubouet. This edition: urtext edition. Stapled. Barenreiter Urtext. Vocal Score. H 148. Baerenreiter Verlag #BA07591. Published by Baerenreiter Verlag (BA.BA07591).
ISBN 9790006524921. 10.63 x 7.48 inches.
The Te Deum, H 148, is the last of the six settings of this text by Marc-Antoine Charpentier (1643–1704), whose death is now being commemorated three centuries later.
Unlike the better known and relatively lavish Te Deum of the “Eurovision Fanfare” (H 146), this version reduces the ensemble to four-voice chorus and basso continuo. Thanks to its relatively simple fabric, it is thus ideally suited for church choirs and small amateur ensembles.
Despite its reduced forces, this Te Deum proves to be an impressive work of great effect in performance.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding
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