21181336
Te Deum
21181336
21181336
21181336
Copyright Material for Preview Only - Sheet Music Plus
Soli e Coro SST(A)TB, 2 Fl, 2 Ob, 2 Tr, Timp, 2 Vl, 2 Va (Va, Vl), Bc - Grade 3
SKU: CA.2103219
Composed by Marc-Antoine Charpentier. Edited by Hans Ryschawy. Complete orchestral parts. Sacred vocal music, Motets, Praise and thanks. Set of parts. H 146. Duration 25 minutes. Carus Verlag #CV 21.032/19. Published by Carus Verlag (CA.2103219).
ISBN 9790007241414. 9 x 12 inches. Language: Latin.
In 1953, with timpani and trumpets à la Marseillaise, a French piece of music once again captured public attention ("Eurovision Hymn") and a composer was rediscovered: the first recording of Marc-Antoine Charpentier’s Te Deum H 146 was released. The introductory fanfare not only praised God but the Sun King Louis XIV, and it opens one of the greatest works of French Baroque music. Magnificent celebration and ardent pleading, effective choruses, arias and small ensembles, plus instrumental interludes combine to create a harmonious whole, drawing its higher meaning from Charpentier’s musical-theological interpretation of the Latin hymn of praise that it is based on.
Also available in a version for Choir & Organ (Carus 21.032/45).
Soli e Coro SST(A)TB, 2 Fl, 2 Ob, 2 Tr, Timp, 2 Vl, 2 Va (Va, Vl), Bc - Grade 3
SKU: CA.2103219
Composed by Marc-Antoine Charpentier. Edited by Hans Ryschawy. Complete orchestral parts. Sacred vocal music, Motets, Praise and thanks. Set of parts. H 146. Duration 25 minutes. Carus Verlag #CV 21.032/19. Published by Carus Verlag (CA.2103219).
ISBN 9790007241414. 9 x 12 inches. Language: Latin.
In 1953, with timpani and trumpets à la Marseillaise, a French piece of music once again captured public attention ("Eurovision Hymn") and a composer was rediscovered: the first recording of Marc-Antoine Charpentier’s Te Deum H 146 was released. The introductory fanfare not only praised God but the Sun King Louis XIV, and it opens one of the greatest works of French Baroque music. Magnificent celebration and ardent pleading, effective choruses, arias and small ensembles, plus instrumental interludes combine to create a harmonious whole, drawing its higher meaning from Charpentier’s musical-theological interpretation of the Latin hymn of praise that it is based on.
Also available in a version for Choir & Organ (Carus 21.032/45).
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