22352565
Tantum ergo in A major
22352565
22352565
22352565
Copyright Material for Preview Only - Sheet Music Plus
Solo T, Coro SATBB, 2 Vl, Va, Vc, Cb, Org - Grade 3
SKU: CA.7031200
Composed by Gabriel Faure. Edited by Jean-Michel Nectoux. Genres / texts frequently set to music: Sacred vocal music. Full score. Carus Verlag #CV 70.312/00. Published by Carus Verlag (CA.7031200).
ISBN 9790007244828. 8.27 x 11.69 inches.
Between completing his education at the École de musique classique et religieuse in Paris and being appointed head of the Paris Conservatoire, Gabriel Fauré worked mainly as a church musician. As a result of his conviction that spiritual music is "an expression of humanity", he usually preferred more intimate chamber music ensembles to large monumental works. In accordance with the resources available where he worked, he wrote much for mixed choir, frequently supported by soloists and organ or harmonium and sometimes enriched by harp or double bass. For festive occasions, further instruments were added: preferably a string quintet, sometimes augmented by wind instruments. The chamber music-like "human" character was, however, always retained.
Solo T, Coro SATBB, 2 Vl, Va, Vc, Cb, Org - Grade 3
SKU: CA.7031200
Composed by Gabriel Faure. Edited by Jean-Michel Nectoux. Genres / texts frequently set to music: Sacred vocal music. Full score. Carus Verlag #CV 70.312/00. Published by Carus Verlag (CA.7031200).
ISBN 9790007244828. 8.27 x 11.69 inches.
Between completing his education at the École de musique classique et religieuse in Paris and being appointed head of the Paris Conservatoire, Gabriel Fauré worked mainly as a church musician. As a result of his conviction that spiritual music is "an expression of humanity", he usually preferred more intimate chamber music ensembles to large monumental works. In accordance with the resources available where he worked, he wrote much for mixed choir, frequently supported by soloists and organ or harmonium and sometimes enriched by harp or double bass. For festive occasions, further instruments were added: preferably a string quintet, sometimes augmented by wind instruments. The chamber music-like "human" character was, however, always retained.
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