22002292
Symphony No. 4 Op. 63
22002292
22002292
22002292
Copyright Material for Preview Only - Sheet Music Plus
Orchestra (2.2.2.2 – 4.2.3.0 – timp.perc – str)
SKU: BR.PB-5694
Urtext based on the Complete Edition “Jean Sibelius Works” (JSW). Composed by Jean Sibelius. Edited by Tuija Wicklund. Orchestra; Softbound. Partitur-Bibliothek (Score Library). Symphony; Early modern; Late-romantic. Full score. 96 pages. Duration 40:00. Breitkopf and Haertel #PB 5694. Published by Breitkopf and Haertel (BR.PB-5694).
ISBN 9790004216316. 10 x 12.5 inches.
In the fall of 1909 Sibelius wrote in his diary: "At Koli! One of the greatest impressions in my life. Plans [for] 'La Montagne'!" These plans proved to be for the Fourth Symphony. The composition process was not an easy one and in the end - according to his diary - Sibelius was "struggling with God!" and only just able to finish the work in time for the premiere in spring 1911: "My new symphony is a total protest against present-day compositions. Nothing - absolutely nothing of the circus [in it]." This extraordinary work was at first found difficult to understand although its technical brilliance was recognized. The appreciation of the Fourth has, however, grown in the course of years.
Orchestra (2.2.2.2 – 4.2.3.0 – timp.perc – str)
SKU: BR.PB-5694
Urtext based on the Complete Edition “Jean Sibelius Works” (JSW). Composed by Jean Sibelius. Edited by Tuija Wicklund. Orchestra; Softbound. Partitur-Bibliothek (Score Library). Symphony; Early modern; Late-romantic. Full score. 96 pages. Duration 40:00. Breitkopf and Haertel #PB 5694. Published by Breitkopf and Haertel (BR.PB-5694).
ISBN 9790004216316. 10 x 12.5 inches.
In the fall of 1909 Sibelius wrote in his diary: "At Koli! One of the greatest impressions in my life. Plans [for] 'La Montagne'!" These plans proved to be for the Fourth Symphony. The composition process was not an easy one and in the end - according to his diary - Sibelius was "struggling with God!" and only just able to finish the work in time for the premiere in spring 1911: "My new symphony is a total protest against present-day compositions. Nothing - absolutely nothing of the circus [in it]." This extraordinary work was at first found difficult to understand although its technical brilliance was recognized. The appreciation of the Fourth has, however, grown in the course of years.
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