Symphony No. 1 in C major Op. 21 Urtext by Ludwig van Beethoven Orchestra - Sheet Music

By Ludwig van Beethoven

Whether for first editions or not the primary sources of Beethoven's works always have to be interpreted with great expertise. The editor's knowledgeability is the decisive point when it comes to the level of quality of a new edition. And both Clive Brown and Peter Hauschild are setting standards."On the whole, it was a good idea for Breitkopf to give itself time with these editions. The difficult feat of doing justice to the needs of performers and to philological scholarship has been carried off at a level that raises the standards to an almost frighteningly high level." (Peter Gulke) In the case of the First Symphony, Clive Brown reaches an optimal balance between source criticism and performance-practical requirements. Interpreters and scholars appreciate the "source criticism for performance practice" that Breitkopf cultivates not only in its Beethoven editions.In the case of the First Symphony, Clive Brown again reaches an optimal balance between source criticism and performance-practical requirements.

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Details

Ensembles:
Orchestra
Genres:
Classical Period Romantic Period
Composers:
Ludwig van Beethoven
Publishers:
Breitkopf and Haertel
Series:
Breitkopf Score Library
ISBN:
9790004211526
Format:
Study Score
Item types:
Physical
Musical forms:
Symphony
Artist:
Ludwig van Beethoven
Usages:
School and Community
Number of Pages:
68
Size:
6.5 x 9 inches
Shipping Weight:
0.4 pounds

Orchestra (2.2.2.2 – 2.2.0.0 – timp – str)

SKU: BR.PB-5341

Urtext. Composed by Ludwig van Beethoven. Edited by Clive Brown. Orchestra; stapled. Partitur-Bibliothek (Score Library). Symphony; Classical. Study Score. 68 pages. Duration 30:00. Breitkopf and Haertel #PB 5341. Published by Breitkopf and Haertel (BR.PB-5341).

ISBN 9790004211526. 6.5 x 9 inches.

Whether for first editions or not the primary sources of Beethoven's works always have to be interpreted with great expertise. The editor's knowledgeability is the decisive point when it comes to the level of quality of a new edition. And both Clive Brown and Peter Hauschild are setting standards."On the whole, it was a good idea for Breitkopf to give itself time with these editions. The difficult feat of doing justice to the needs of performers and to philological scholarship has been carried off at a level that raises the standards to an almost frighteningly high level." (Peter Gulke) In the case of the First Symphony, Clive Brown reaches an optimal balance between source criticism and performance-practical requirements. Interpreters and scholars appreciate the "source criticism for performance practice" that Breitkopf cultivates not only in its Beethoven editions.

In the case of the First Symphony, Clive Brown again reaches an optimal balance between source criticism and performance-practical requirements.