Symphonic Overture Full Score and Parts by Charles Carter Concert Band - Sheet Music

By Charles Carter

Symphonic Overture is a contemporary-sounding overture of medium difficulty so scored that it can be performed with equal success by large and small groups alike. Employing the familiar three-part form (A-B-A), the opening section has a theme which is robust in character and with considerable rhythmic interest. The second theme, slow and expressive in character is a free form based on an opening idea introduced by the first flute. At the return of the first section, the first theme is treated as a fugue subject building to great heights as all four entrances are achieved. As the “exposition” concludes, the contrapuntal texture gives way to a homophonic quality which closes the piece. The coda, as is characteristic, utilizes material from the first theme.

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Details

Instrument:
B-Flat Clarinet E-Flat Clarinet Bass Clarinet
Ensembles:
Concert Band
Genres:
Classical
Composers:
Charles Carter
Publishers:
Carl Fischer Music
Series:
Carl Fischer Classic Band Editions
UPC:
798408029395
ISBN:
9780825829390
Format:
Set of Parts Score and Parts
Item types:
Physical
Artist:
Charles Carter
Usages:
School and Community
Main Key:
Bb major
Number of Pages:
181
Size:
9 x 11.74 inches
Shipping Weight:
2.06 pounds

Concert Band Bass Clarinet, Bassoon 1, Bassoon 2, Bb Euphonium, Clarinet in Bb 1, Clarinet in Bb 2, Clarinet in Bb 3, Clarinet in Eb, Cornet in Bb 1, Cornet in Bb 2, Cornet in Bb 3, Cymbals, Euphonium, Flute 1, Flute 2, Horn in F 1, Horn in F 2, Horn in F 3 and more.

SKU: CF.J591

Full Score and Parts. Composed by Charles Carter. Folio. Carl Fischer Classic Band Editions. Score and Set of Parts. With Standard notation. 181 pages. Duration 0:04:20. Carl Fischer Music #J591. Published by Carl Fischer Music (CF.J591).

ISBN 9780825829390. UPC: 798408029395. 9 x 11.74 inches. Key: Bb major.

Symphonic Overture is a contemporary-sounding overture of medium difficulty so scored that it can be performed with equal success by large and small groups alike. Employing the familiar three-part form (A-B-A), the opening section has a theme which is robust in character and with considerable rhythmic interest. The second theme, slow and expressive in character is a free form based on an opening idea introduced by the first flute. At the return of the first section, the first theme is treated as a fugue subject building to great heights as all four entrances are achieved. As the “exposition” concludes, the contrapuntal texture gives way to a homophonic quality which closes the piece. The coda, as is characteristic, utilizes material from the first theme.