17230727
Swan Lake
17230727
17230727
17230727
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Orchestra String Orchestra (Cello, Double Bass, Piano, Viola, Violin 1, Violin 2, Violin 3) - Medium Easy/Medium
SKU: CF.CAS33F
Excerpt. Composed by Peter Ilyich Tchaikovsky. Arranged by Roy Phillippe. This edition: Medium Easy/Medium. Sws. Carl Fischer Concert String Orchestra Series. Classical. Full score. With Standard notation. 8 pages. Carl Fischer Music #CAS33F. Published by Carl Fischer Music (CF.CAS33F).
ISBN 9780825861048. UPC: 798408061043. 9 x 12 inches.
Roy Phillippe has creatd a following of orchestra conductors that look for his playable, yet authentic sounding arrangements of famous classical themes. Roy is able to keep the integrity of the original Tchaikovsky piece intact and present it in a sweeping strings only arrangement that is sure to please. Exceptional!.
This theme is perhaps the best known melody from Tchaikovsky’s famous ballet.The piece begins with a short introduction establishing an accompaniment motive. The first violins introduce the main theme. At m. 11 the accompaniment changes to a flowing, arpeggiated style. At m. 20 the original motive returns. The ensemble plays the main melody, this time harmonized before recapping the melody as it appeared in m. 3.Unison violins, violas, and cellos introduce a modulation to A minor. This unison should be performed expressively, emphasizing the rich quality of the unison strings. The violins again take the melody in m. 38. with the pickup to m. 41, theviolas and cellos take the melody for a few measures followed by the violins. At m. 43 the accompaniment becomes more animated. The crescendo in m. 49 dramatically sweeps to the melody played fortissimo. The cello at this point has an ascending line as counterpoint to the melody. At m. 53 the cello states the main theme followed by the first violins in m. 56. A crescendo is made in m. 59 to the fermata. At m. 60 the violins and violas decrescendo as the cellos and basses quote the main theme.—Roy Phillippe.
About Carl Fischer Concert String Orchestra Series
This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:
- Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
- More comprehensive bowing techniques
- Viola T.C. included
- Careful selection of keys and degree of difficulty for advancing musicians
Orchestra String Orchestra (Cello, Double Bass, Piano, Viola, Violin 1, Violin 2, Violin 3) - Medium Easy/Medium
SKU: CF.CAS33F
Excerpt. Composed by Peter Ilyich Tchaikovsky. Arranged by Roy Phillippe. This edition: Medium Easy/Medium. Sws. Carl Fischer Concert String Orchestra Series. Classical. Full score. With Standard notation. 8 pages. Carl Fischer Music #CAS33F. Published by Carl Fischer Music (CF.CAS33F).
ISBN 9780825861048. UPC: 798408061043. 9 x 12 inches.
Roy Phillippe has creatd a following of orchestra conductors that look for his playable, yet authentic sounding arrangements of famous classical themes. Roy is able to keep the integrity of the original Tchaikovsky piece intact and present it in a sweeping strings only arrangement that is sure to please. Exceptional!.
This theme is perhaps the best known melody from Tchaikovsky’s famous ballet.The piece begins with a short introduction establishing an accompaniment motive. The first violins introduce the main theme. At m. 11 the accompaniment changes to a flowing, arpeggiated style. At m. 20 the original motive returns. The ensemble plays the main melody, this time harmonized before recapping the melody as it appeared in m. 3.Unison violins, violas, and cellos introduce a modulation to A minor. This unison should be performed expressively, emphasizing the rich quality of the unison strings. The violins again take the melody in m. 38. with the pickup to m. 41, theviolas and cellos take the melody for a few measures followed by the violins. At m. 43 the accompaniment becomes more animated. The crescendo in m. 49 dramatically sweeps to the melody played fortissimo. The cello at this point has an ascending line as counterpoint to the melody. At m. 53 the cello states the main theme followed by the first violins in m. 56. A crescendo is made in m. 59 to the fermata. At m. 60 the violins and violas decrescendo as the cellos and basses quote the main theme.—Roy Phillippe.
About Carl Fischer Concert String Orchestra Series
This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:
- Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
- More comprehensive bowing techniques
- Viola T.C. included
- Careful selection of keys and degree of difficulty for advancing musicians
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