Sur le meme accord - Nocturne for Violin and Orchestra Study Score by Henri Dutilleux Orchestra - Sheet Music

By Henri Dutilleux

Although in one movement, at its centre are two expressive sections, which alternate with more rapid writing. The soloist plays a concertante role with the orchestra. In both the solo part and the orchestral texture, a six-note chord can be heard throughout the work, either concealed or more overtly, given to soloists drawn from the orchestra. At the start of the work, the solo violin announces these six pitches, first as a monody, then double-stopped; this material is then distributed vertically (played as a chord) by various instrumental groups. Mirror writing and different orchestral colors transform this chord, but it is omnipresent, and obsession. This relatively short work is dedicated to Anne-Sophie Mutter, and was premiered by Mutter and the London Philharmonic Orchestra on April 28, 2002.

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Details

Ensembles:
Orchestra
Genres:
20th Century
Composers:
Henri Dutilleux
Publishers:
Schott Music
UPC:
884088077792
ISBN:
9790001139656
Format:
Study Score
Item types:
Physical
Musical forms:
Concerto
Artist:
Henri Dutilleux
Usages:
School and Community
Size:
8.25x11.75x0.146 inches
Number of Pages:
44
Shipping Weight:
0.48 pounds

Orchestra; Score; Violin (Study Score)

SKU: HL.49033345

Study Score. Composed by Henri Dutilleux. This edition: Saddle stitching. Sheet music. Edition Schott. Classical, Concerto. Study Score. Composed 2001-2002. 44 pages. Duration 10'. Schott Music #ED9856. Published by Schott Music (HL.49033345).

ISBN 9790001139656. UPC: 884088077792. 8.25x11.75x0.146 inches.

Although in one movement, at its centre are two expressive sections, which alternate with more rapid writing. The soloist plays a concertante role with the orchestra. In both the solo part and the orchestral texture, a six-note chord can be heard throughout the work, either concealed or more overtly, given to soloists drawn from the orchestra. At the start of the work, the solo violin announces these six pitches, first as a monody, then double-stopped; this material is then distributed vertically (played as a chord) by various instrumental groups. Mirror writing and different orchestral colors transform this chord, but it is omnipresent, and obsession. This relatively short work is dedicated to Anne-Sophie Mutter, and was premiered by Mutter and the London Philharmonic Orchestra on April 28, 2002.