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Summa Kitharologica, Vol. 2
Los caprichos de Alany - 26 Miniatures, in all Keys, for the Study of Style and Expression - For One and Two Guitars by Ricardo Iznaola Classical Guitar - Sheet Music
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Los caprichos de Alany - 26 Miniatures, in all Keys, for the Study of Style and Expression - For One and Two Guitars. Composed by Ricardo Iznaola. This edition: Saddle Stitch. Guitar, Classical, Technique, Guitar Solos, Theory, Saddle-stitched. Technique. Book and online audio. 140 pages. Mel Bay Publications, Inc #31205M. Published by Mel Bay Publications, Inc (MB.31205M).
ISBN 9781513480336. 8.75 x 11.75 inches.
This second volume of Ricardo Iznaolas monumental Summa Kitharologica trilogy is, according to its author, 'a playbook for self-guided discovery' in matters related to the expressive interpretation of music.Its 26 short pieces in all keys, in versions for solo guitar and guitar duo, present the reader with an ample array of musical styles and technical procedures that serve as so many opportunities for exploration of the fascinating and complex growth process that brings the player from basic acquaintance with a score to masterful assimilation of its contents.As the distinguished British guitarist and pedagogue Jonathan Leathwood remarks in his Foreword to the book, at this point, the player is so at one with the score that they can stretch it and occasionally contradict it without ever betraying its essential meaning, attaining that desirable imprecision proposed as a marker of ultimate mastery by cellist and pedagogue Pedro de Alcántara, as Leathwood reminds us. The musical contents are complemented by brief epigraphs preceding each solo miniature, ranging from the factual to the poetic, whose purpose is to anchor the music in an evocative, affect-charged context that may hopefully stir the player's imagination, as will the excellent recordings by Laura Husbands and the Arabesque Duo. Additional commentaries in the Working Notes section, in the appendix, and in the afterword deal with topics as diverse as mental practice, synesthesia, musical peak experiences, prosody and rhythm theory, the hazards of a performing career, and the performer's need for (and the challenges of) introspective self-assessment. Throughout, the book advocates, as its core thesis, the importance of a questioning stance: what if as the path to discovery through changes in points of view, a consistently variable perspectivist approach, in which comparison and evaluation of multiple alternatives, rather than prescriptive pre-ordained solutions, is taken as the foundation for true understanding.Volume 3 of Summa Kitharologica, Handbook of Comparative Fingering Analysis, completes the set with a comprehensive analytical overview of guitar fingering strategies since the early 19th century.
Los caprichos de Alany - 26 Miniatures, in all Keys, for the Study of Style and Expression - For One and Two Guitars. Composed by Ricardo Iznaola. This edition: Saddle Stitch. Guitar, Classical, Technique, Guitar Solos, Theory, Saddle-stitched. Technique. Book and online audio. 140 pages. Mel Bay Publications, Inc #31205M. Published by Mel Bay Publications, Inc (MB.31205M).
ISBN 9781513480336. 8.75 x 11.75 inches.
This second volume of Ricardo Iznaolas monumental Summa Kitharologica trilogy is, according to its author, 'a playbook for self-guided discovery' in matters related to the expressive interpretation of music.Its 26 short pieces in all keys, in versions for solo guitar and guitar duo, present the reader with an ample array of musical styles and technical procedures that serve as so many opportunities for exploration of the fascinating and complex growth process that brings the player from basic acquaintance with a score to masterful assimilation of its contents.As the distinguished British guitarist and pedagogue Jonathan Leathwood remarks in his Foreword to the book, at this point, the player is so at one with the score that they can stretch it and occasionally contradict it without ever betraying its essential meaning, attaining that desirable imprecision proposed as a marker of ultimate mastery by cellist and pedagogue Pedro de Alcántara, as Leathwood reminds us. The musical contents are complemented by brief epigraphs preceding each solo miniature, ranging from the factual to the poetic, whose purpose is to anchor the music in an evocative, affect-charged context that may hopefully stir the player's imagination, as will the excellent recordings by Laura Husbands and the Arabesque Duo. Additional commentaries in the Working Notes section, in the appendix, and in the afterword deal with topics as diverse as mental practice, synesthesia, musical peak experiences, prosody and rhythm theory, the hazards of a performing career, and the performer's need for (and the challenges of) introspective self-assessment. Throughout, the book advocates, as its core thesis, the importance of a questioning stance: what if as the path to discovery through changes in points of view, a consistently variable perspectivist approach, in which comparison and evaluation of multiple alternatives, rather than prescriptive pre-ordained solutions, is taken as the foundation for true understanding.Volume 3 of Summa Kitharologica, Handbook of Comparative Fingering Analysis, completes the set with a comprehensive analytical overview of guitar fingering strategies since the early 19th century.
FOREWORD by Jonathan Leathwood
Preface
Symbols
(solos)
LOS CAPRICHOS DE ALANY
(duos)
Lullaby
Refrain
Trällerliedchein
Romanesca
Hasapiko
Lament
Landler
Scena
Toccatina
Passacaglia
Vamp
Arabesque I
Napolitana
Nocturne I
Verbunkos
Chorale Prelude – Chorale ohne worte
Arabesque II
Valse
Polonaise
Nocturne II
Saltarello
Brawl and Rigadoon
Zortziko
Recit
MARGINALIA – TWO ADDITIONAL MINIATURES
Sonatina
Ouverture
WORKING NOTES
Doing Music
Mentalization: Trained Synesthesia?
Interpretation and Performance
Peak Experiences
The Wow
The How
The Tao
On Style
Content Design
Prosody
Pulse
Beats
Meter
Rhythm
Accent
A Poet’s Viewpoint
The Miniatures: A Primer
Stylistic Context
Pointers
On Expression
Phrasing and Characterization
On Performance
From Poiesis to Aesthesis
Hazards of Performance
Temperament and the Entheos
Afterword
APPENDIX: Additional Notes on the Lullaby
Solo Version
Phrase Structure
Pitch Grouping (Prosodic Design)
Phrase Rhythm and Hypermeter
[Parenthesis: A Conversation with ChatGPT]
Strong and Weak Downbeats
Note-Value Reduction, Phrase Expansion
Strong and Weak Cadences
The Duo Version
Analytical Awareness and Performance
The Lullaby, recomposed
What if...?
Conclusion
Additional Thoughts
Sources
Preambles to the Miniatures
Other References
Biographical Information
Laura Husbands
Arabesque Duo
Ricardo Iznaola
Preview: Summa Kitharologica, Vol. 2
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