22904362
Summa Kitharologica, Vol. 2
22904362
22904362
Summa Kitharologica, Vol. 2 Classical Guitar scores gallery preview page 1
Summa Kitharologica, Vol. 2 by Ricardo Iznaola Classical Guitar - Sheet Music

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Summa Kitharologica, Vol. 2 Los caprichos de Alany - 26 Miniatures, in all Keys, for the Study of Style and Expression - For One and Two Guitars by Ricardo Iznaola Classical Guitar - Sheet Music

By Ricardo Iznaola
Guitar - Intermediate

SKU: MB.31205M

Los caprichos de Alany - 26 Miniatures, in all Keys, for the Study of Style and Expression - For One and Two Guitars. Composed by Ricardo Iznaola. This edition: Saddle Stitch. Guitar, Classical, Technique, Guitar Solos, Theory, Saddle-stitched. Technique. Book and online audio. 140 pages. Mel Bay Publications, Inc #31205M. Published by Mel Bay Publications, Inc (MB.31205M).

ISBN 9781513480336. 8.75 x 11.75 inches.

This second volume of Ricardo Iznaola’s monumental Summa Kitharologica trilogy is, according to its author, 'a playbook for self-guided discovery' in matters related to the expressive interpretation of music.Its 26 short pieces in all keys, in versions for solo guitar and guitar duo, present the reader with an ample array of musical styles and technical procedures that serve as so many opportunities for exploration of the fascinating and complex growth process that brings the player from basic acquaintance with a score to masterful assimilation of its contents.As the distinguished British guitarist and pedagogue Jonathan Leathwood remarks in his Foreword to the book, at this point, the player is so at one with the score that they can stretch it and occasionally contradict it without ever betraying its essential meaning, attaining that desirable imprecision proposed as a marker of ultimate mastery by cellist and pedagogue Pedro de Alcántara, as Leathwood reminds us. The musical contents are complemented by brief epigraphs preceding each solo miniature, ranging from the factual to the poetic, whose purpose is to anchor the music in an evocative, affect-charged context that may hopefully stir the player's imagination, as will the excellent recordings by Laura Husbands and the Arabesque Duo. Additional commentaries in the Working Notes section, in the appendix, and in the afterword deal with topics as diverse as mental practice, synesthesia, musical peak experiences, prosody and rhythm theory, the hazards of a performing career, and the performer's need for (and the challenges of) introspective self-assessment. Throughout, the book advocates, as its core thesis, the importance of a questioning stance: what if as the path to discovery through changes in points of view, a consistently variable perspectivist approach, in which comparison and evaluation of multiple alternatives, rather than prescriptive pre-ordained solutions, is taken as the foundation for true understanding.Volume 3 of Summa Kitharologica, Handbook of Comparative Fingering Analysis, completes the set with a comprehensive analytical overview of guitar fingering strategies since the early 19th century.

  • FOREWORD by Jonathan Leathwood
  • Preface
  • Symbols
  • (solos)
  • LOS CAPRICHOS DE ALANY
  • (duos)
  • Lullaby
  • Refrain
  • Trällerliedchein
  • Romanesca
  • Hasapiko
  • Lament
  • Landler
  • Scena
  • Toccatina
  • Passacaglia
  • Vamp
  • Arabesque I
  • Napolitana
  • Nocturne I
  • Verbunkos
  • Chorale Prelude – Chorale ohne worte
  • Arabesque II
  • Valse
  • Polonaise
  • Nocturne II
  • Saltarello
  • Brawl and Rigadoon
  • Zortziko
  • Recit
  • MARGINALIA – TWO ADDITIONAL MINIATURES
  • Sonatina
  • Ouverture
  • WORKING NOTES
  • Doing Music
  • Mentalization: Trained Synesthesia?
  • Interpretation and Performance
  • Peak Experiences
  • The Wow
  • The How
  • The Tao
  • On Style
  • Content Design
  • Prosody
  • Pulse
  • Beats
  • Meter
  • Rhythm
  • Accent
  • A Poet’s Viewpoint
  • The Miniatures: A Primer
  • Stylistic Context
  • Pointers
  • On Expression
  • Phrasing and Characterization
  • On Performance
  • From Poiesis to Aesthesis
  • Hazards of Performance
  • Temperament and the Entheos
  • Afterword
  • APPENDIX: Additional Notes on the Lullaby
  • Solo Version
  • Phrase Structure
  • Pitch Grouping (Prosodic Design)
  • Phrase Rhythm and Hypermeter
  • [Parenthesis: A Conversation with ChatGPT]
  • Strong and Weak Downbeats
  • Note-Value Reduction, Phrase Expansion
  • Strong and Weak Cadences
  • The Duo Version
  • Analytical Awareness and Performance
  • The Lullaby, recomposed
  • What if...?
  • Conclusion
  • Additional Thoughts
  • Sources
  • Preambles to the Miniatures
  • Other References
  • Biographical Information
  • Laura Husbands
  • Arabesque Duo
  • Ricardo Iznaola