21138063
Suite No 1
21138063
21138063
21138063
Copyright Material for Preview Only - Sheet Music Plus
2 Pianos, 4 Hands (Picc.*2*3*Eh.*3*3 - 4*4*3*1 - P.*Perc. (Glsp., Xyl., Trgl., hg. Bck., Tamb., Tomt., kl. Tr., Afr. Tr., Mil. Tr., Cong., gr. Tr., Mar., Woodbl., Peitsche) - Str.) - difficult
SKU: HL.49045284
For Piano and Orchestra - Reduction for 2 Pianos, 4 Hands. Composed by Mikis Theodorakis. Arranged by Dimitris Michas. This edition: Saddle stitching. Sheet music. Piano Duet. Classical. Softcover. Composed 1949-1955/2015. 78 pages. Duration 25'. Schott Music #ED22590. Published by Schott Music (HL.49045284).
ISBN 9790001161268. UPC: 841886029767. 9.0x12.0x0.232 inches.
Suite No. 1 is a hymn to the divinity of the dance. The piece explores all possibilities of extreme rhythm, harmony and orchestration in order to place special emphasis on the piano as a solo instrument with all its possibilities: from percussion instrument to lyric simplicity. At the end, the composer quotes the style of his scores together with the ancient tragedies in an epilogue with prominent signals from the wind section.
- I Presto
- II Andante moderato
- III Andante sostenuto
- IV Presto
- V Lento
2 Pianos, 4 Hands (Picc.*2*3*Eh.*3*3 - 4*4*3*1 - P.*Perc. (Glsp., Xyl., Trgl., hg. Bck., Tamb., Tomt., kl. Tr., Afr. Tr., Mil. Tr., Cong., gr. Tr., Mar., Woodbl., Peitsche) - Str.) - difficult
SKU: HL.49045284
For Piano and Orchestra - Reduction for 2 Pianos, 4 Hands. Composed by Mikis Theodorakis. Arranged by Dimitris Michas. This edition: Saddle stitching. Sheet music. Piano Duet. Classical. Softcover. Composed 1949-1955/2015. 78 pages. Duration 25'. Schott Music #ED22590. Published by Schott Music (HL.49045284).
ISBN 9790001161268. UPC: 841886029767. 9.0x12.0x0.232 inches.
Suite No. 1 is a hymn to the divinity of the dance. The piece explores all possibilities of extreme rhythm, harmony and orchestration in order to place special emphasis on the piano as a solo instrument with all its possibilities: from percussion instrument to lyric simplicity. At the end, the composer quotes the style of his scores together with the ancient tragedies in an epilogue with prominent signals from the wind section.
- I Presto
- II Andante moderato
- III Andante sostenuto
- IV Presto
- V Lento
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