22836291
Suite Inglese
22836291
22836291
22836291
Copyright Material for Preview Only - Sheet Music Plus
Tenor Saxophone Solo - Level 8+
SKU: WN.SXV001
Composed by Roberto Ventimiglia. Anglo-Sax Series. Score. Wonderful Winds #SXV001. Published by Wonderful Winds (WN.SXV001).
ISBN 9790570745449.
Notes from the composer:
"Personally, there has always been something about Baroque music, especially Bach's, that particularly caught my attention from the moment I started studying it: the construction processes.
Bach's music can often deliver tremendously deep feelings by 'simply' building a strictly brain-driven structure, where emotions come from a very calculated process rather than a rhapsodic, romantic attitude. I was keen to explore this in Suite Inglese.
I. Get Bach! - the overall 'recipe' features a one-bar fragment from the first Cello Suite as the main composing ingredient.
II. Mechanisms of Love - a developmental mindset at work here seeking some romance coming from the simple major third interval.
III. Sarabande? & IV. Les agréments de la même Sarabande? - a slow movement representing a Sarabande without being one, but still paired with its embellished version as it would have happened in a Baroque instrumental suite.
V. Postlude - a merely harmonic construction based on a single-bar-rhythmic-cell (as is the case with preludes: minimalism way ahead of its time?).
Apart from Bach's English Suites, the title comes from the very special bond I feel with British musicians/independent publishers, not to mention the fact that Andy Findon (to whom Suite Inglese is dedicated), is pretty often the first interpreter of my works for wind instruments. ".
Tenor Saxophone Solo - Level 8+
SKU: WN.SXV001
Composed by Roberto Ventimiglia. Anglo-Sax Series. Score. Wonderful Winds #SXV001. Published by Wonderful Winds (WN.SXV001).
ISBN 9790570745449.
Notes from the composer:
"Personally, there has always been something about Baroque music, especially Bach's, that particularly caught my attention from the moment I started studying it: the construction processes.
Bach's music can often deliver tremendously deep feelings by 'simply' building a strictly brain-driven structure, where emotions come from a very calculated process rather than a rhapsodic, romantic attitude. I was keen to explore this in Suite Inglese.
I. Get Bach! - the overall 'recipe' features a one-bar fragment from the first Cello Suite as the main composing ingredient.
II. Mechanisms of Love - a developmental mindset at work here seeking some romance coming from the simple major third interval.
III. Sarabande? & IV. Les agréments de la même Sarabande? - a slow movement representing a Sarabande without being one, but still paired with its embellished version as it would have happened in a Baroque instrumental suite.
V. Postlude - a merely harmonic construction based on a single-bar-rhythmic-cell (as is the case with preludes: minimalism way ahead of its time?).
Apart from Bach's English Suites, the title comes from the very special bond I feel with British musicians/independent publishers, not to mention the fact that Andy Findon (to whom Suite Inglese is dedicated), is pretty often the first interpreter of my works for wind instruments. ".
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