5543255
Standard Vocal Literature – An Introduction to Repertoire
5543255
5543255
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Standard Vocal Literature – An Introduction to Repertoire by Various Voice - Sheet Music
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Standard Vocal Literature – An Introduction to Repertoire Soprano by Various Voice - Sheet Music

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Vocal

SKU: HL.740272

Soprano. Composed by Various. Arranged by Richard Walters. Hal Leonard Vocal Collection. Classical and Opera. Softcover Audio Online. 136 pages. Hal Leonard #740272. Published by Hal Leonard (HL.740272).

ISBN 9780634078736. UPC: 073999208122. 9x12 inches. Book/Audio edited by Richard Walters.

This series of 5 book/CD packs is an introduction to art song in English, French, German, Italian and Spanish. Each volume has a different song list, and includes 30 selections in appropriate keys. Beyond art song, each collection includes two carefully chosen opera arias, an oratorio aria, and an operetta aria by Gilbert & Sullivan.

  • Apres Un Reve
  • Blow, Blow, Thou Winter Wind
  • Breit' uber mein Haupt
  • Chanson D'amour
  • Come Again, Sweet Love
  • Come L'allodoletta
  • Das Veilchen
  • Deh Vieni, Non Tardar (The Marriage Of Figaro)
  • Del Cabello Mas Sutil
  • Du bist die Ruh
  • El majo discreto
  • Flow My Tears
  • Gretchen At The Spinning Wheel (Gretchen Am Spinnrade)
  • I Attempt from Love's Sickness to Fly
  • If music be the food of love
  • Intorno all'idol mio
  • It Was A Lover And His Lass
  • L'abbandono
  • Love's Philosophy, Op. 3, No. 1
  • O Mio Babbino Caro
  • Pie Jesu
  • Plaisir d'Amour
  • Ridente La Calma, K. 152
  • Si Mes Vers Avaient Des Ailes
  • The Silver Swan
  • The Sun, Whose Rays Are All Ablaze
  • Vergebliches Standchen (The Vain Suit), Op. 83, No. 4
  • Weep You No More, Op. 12, No. 1
  • Where the bee sucks
  • Wie Melodien zieht es mir, Op. 105, No. 1

Ratings + Reviews

★ Based on 2 Reviews
★
Anonymous
October 06, 2011
Contents
I think the series is good, but would have appreciated knowing the contents before I purchased the books.
★
Sebastian
May 19, 2010
Accompaniment CD Disappointing
Almost worthless because songs are played WAY too fast. Also, rhythm is not kept steady so it is very difficult to count. Ritardando and fermata seem to be at pianist's discretion rather than as indicated by composer or convention. Thirdly, phrasing does not make sense and, in places where an obvious breath is indicated for the singer, no consideration is given. The pianist has obviously never been a singer.