19843501
Staeliana
19843501
19843501
19843501
Copyright Material for Preview Only - Sheet Music Plus
String quartet
SKU: BO.B-3542
Composed by Domenec Gonzalez de la Rubia.
Staeliana was commissioned by the Fundacio Caixa de Catalunya in 2007 for the inauguration of an exposition of the work of Nicolas Staël at La Pedrera, Barcelona. In this work I wanted to compose homage to a painter who knew how to join together in his unique works both the traditions of the past along with the vanguard of his time. Beginning with figurative works which lead toward abstraction, his body of work can be defined as a contrast between these two concepts which, with extreme simplicity, define his entire artistic conception. Staeliana, an expressive chorale, at times both luminous and dramatic, dissolves into the most minimal expression. From the first joining together of the voices it concludes with utter simplicity of expression. The suicide of the artist in 1955 is representative of the dissolution of his existence as well as of his artistic works. This contrast between figurative and abstraction is reflected in the music by the contrast between stability and tension. I believe that this duality may be found both in his work and in his life, always oscillating between living a creative life or opting for death, which may be seen as a fusion in nothingness with the plenitude of purest simplicity.
String quartet
SKU: BO.B-3542
Composed by Domenec Gonzalez de la Rubia.
Staeliana was commissioned by the Fundacio Caixa de Catalunya in 2007 for the inauguration of an exposition of the work of Nicolas Staël at La Pedrera, Barcelona. In this work I wanted to compose homage to a painter who knew how to join together in his unique works both the traditions of the past along with the vanguard of his time. Beginning with figurative works which lead toward abstraction, his body of work can be defined as a contrast between these two concepts which, with extreme simplicity, define his entire artistic conception. Staeliana, an expressive chorale, at times both luminous and dramatic, dissolves into the most minimal expression. From the first joining together of the voices it concludes with utter simplicity of expression. The suicide of the artist in 1955 is representative of the dissolution of his existence as well as of his artistic works. This contrast between figurative and abstraction is reflected in the music by the contrast between stability and tension. I believe that this duality may be found both in his work and in his life, always oscillating between living a creative life or opting for death, which may be seen as a fusion in nothingness with the plenitude of purest simplicity.
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