17408975
Stabat Mater
17408975
17408975
17408975
Copyright Material for Preview Only - Sheet Music Plus
Double SATB Chorus
SKU: CA.7003700
Composed by Franz Lachner. This edition: Paperbound. Genres / texts frequently set to music: Sacred vocal music. Sacred vocal music, Holy Week. Full score. Op. 154. 32 pages. Duration 25 minutes. Carus Verlag #CV 70.037/00. Published by Carus Verlag (CA.7003700).
ISBN 9790007089900. 8.27 x 11.69 inches. Language: Latin.
Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat
Mater. The first Stabat Mater, op. 154, from 1856 was strictly for a vocal ensemble; the
second, op. 168, from 1870 (see p. 5) included strings and organ, in which the darker timbre was achieved through the absence of the violins. In its harmonic
expression the second composition is especially oriented towards the, at that time, modern style of the North German School centred around Liszt and Wagner, but without ever exceeding a moderate degree of technical difficulty in the voice parts.
Double SATB Chorus
SKU: CA.7003700
Composed by Franz Lachner. This edition: Paperbound. Genres / texts frequently set to music: Sacred vocal music. Sacred vocal music, Holy Week. Full score. Op. 154. 32 pages. Duration 25 minutes. Carus Verlag #CV 70.037/00. Published by Carus Verlag (CA.7003700).
ISBN 9790007089900. 8.27 x 11.69 inches. Language: Latin.
Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat
Mater. The first Stabat Mater, op. 154, from 1856 was strictly for a vocal ensemble; the
second, op. 168, from 1870 (see p. 5) included strings and organ, in which the darker timbre was achieved through the absence of the violins. In its harmonic
expression the second composition is especially oriented towards the, at that time, modern style of the North German School centred around Liszt and Wagner, but without ever exceeding a moderate degree of technical difficulty in the voice parts.
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