21439486
Sonates Volume 1 K1 - K52
21439486
21439486
Sonates Volume 1 K1 - K52 Harpsichord scores gallery preview page 1
Sonates Volume 1 K1 - K52 Harpsichord scores gallery preview page 2
Sonates Volume 1 K1 - K52 by Domenico Scarlatti Harpsichord - Sheet Music
Sonates Volume 1 K1 - K52 by Domenico Scarlatti Harpsichord - Sheet Music page 2

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Sonates Volume 1 K1 - K52 by Domenico Scarlatti Harpsichord - Sheet Music

By Domenico Scarlatti
Harpsichord

SKU: BT.ALHE32645

By Kenneth Gilbert. Composed by Domenico Scarlatti. Le Pupitre - Heugel. Classical. Book Only. Composed 1984. 204 pages. Heugel & Cie #ALHE32645. Published by Heugel & Cie (BT.ALHE32645).

French.

Italian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this first volume is indispensable toperformers of the genre. Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much ofScarlatti's Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royal families. This first volume, comprising Sonatas 1-52, includesthe popular and recognised Sonatas in D minor (K. 9), E major (K. 20) and B minor (K. 27). Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day, so much so that he was employed inthe service of two royal families, his Sonatas are composed with much experience, understanding and expertise, creating an essential addition to the repertoire of all Keyboard players of the Baroque genre.

Ratings + Reviews

Based on 1 Reviews
Donald C.
September 25, 2020
Fine edition of the Essercizi
This is probably the best complete edition of Scarlatti's Essercizi (K1 - 30) currently available. The planned Fadini Volume 10 should contain these pieces but that volume has not been published yet. This is a bare bones Urtext with no fingering, but the layout on the staves is very clean and modernized (as opposed to Fadini, which respects the layout of the original sources). The page turns are superb. The critical commentary is cryptic and hard to understand, but the long preface is enlightening. A less advanced performer might prefer Editio Musica Budapest's collection, Vol 1, which does not contain all 30 Essercizi but has good fingerings.