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3191159
Sonate per Clavicembalo Volume 8 Critical Edition
3191159
3191159
3191159
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Harpsichord Solo Piano
SKU: HL.50482608
Sonatas for Harpsichord. By Emilia Fadini. Composed by Domenico Scarlatti. Edited by Emilia Fadini. Piano Collection. Classical, Collection. Book Only. Composed 1995. 272 pages. Ricordi #ER2756. Published by Ricordi (HL.50482608).UPC: 073999826081. 9.25x12.5x0.842 inches. Italian-English.
This critical edition of all the sonatas of Domenico Scarlatti is justified by the necessity of offering performers and scholars a text which is philologically faithful to the author's intentions (in so far as this can be reconstructed through a comparative study of the surviving printed and manuscript sources) and which is presented as authentically as possible, free from editorial interference or suggestions for performance or interpretation. The study of musicology and especially of the performing traditions of baroque music has advanced considerably since Alessandro Longo achieved the mammoth task of publishing the entire corpus of Scarlatti's sonatas for the first time, and today we can deal with problems of text and interpretation with a surer and deeper methodological awareness; all of these will be adequately treated in the Appendix to this edition, which will contain also a general thematic catalog of the complete sonatas.
- Sonata L113 K507
- Sonata L118 K466
- Sonata L12 K478
- Sonata L137 K501
- Sonata L14 K492
- Sonata L146 K497
- Sonata L151 K464
- Sonata L153 K485
- Sonata L164 K491
- Sonata L184 K454
- Sonata L187 K481
- Sonata L19 K508
- Sonata L193 K499
- Sonata L196 K503
- Sonata L203 K474
- Sonata L205 K487
- Sonata L206 K490
- Sonata L209 K455
- Sonata L212 K458
- Sonata L220 K475
- Sonata L226 K468
- Sonata L229 K473
- Sonata L242 K465
- Sonata L277 K510
- Sonata L287 K494
- Sonata L29 K504
- Sonata L290 K477
- Sonata L292 K457
- Sonata L3 K502
- Sonata L304 K470
- Sonata L311 K509
- Sonata L314 K511
- Sonata L324 K460
- Sonata L326 K505
- Sonata L339 K512
- Sonata L340 K476
- Sonata L350 K498
- Sonata L372 K496
- Sonata L419 K484
- Sonata L426 K495
- Sonata L431 K469
- Sonata L435 K482
- Sonata L438 K462
- Sonata L455 K486
- Sonata L471 K463
- Sonata L472 K483
- Sonata L476 K467
- Sonata L491 K456
- Sonata L492 K500
- Sonata L70 K506
- Sonata L8 K461
- Sonata L82 K471
- Sonata L99 K472
- Sonata Lsup14 K459
- Sonata Lsup16 K479
- Sonata Lsup24 K493
- Sonata Lsup3 K513
- Sonata Lsup37 K488
- Sonata Lsup41 K489
- Sonata Lsup8 K480
Ratings + Reviews
Based on 4 Reviews
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Donald C.
September 09, 2020
Nearly complete now
Volume 9 is now available. Volume 10 will contain the Essercizi and a few other pieces. One can use another Urtext edition of the Essercizi such as Kenneth Gilbert's le pupitre edition (Heugel) while we wait. The Fadini edition is great for those interested in the bare notes exactly as shown in the source materials. The editorial changes are limited mostly to cautionary accidentals and occasional ties (clearly marked as editorial).
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Stephen M.
September 21, 2012
Not complete ... and never will be ... sigh
This is a wonderful edition (clear, beautifully laid out), but it is not complete. Of the planned ten-volume set, only the first eight have been published. Emilia Fadini, the harpsichordist and editor of this edition, gave us the first volume in 1978, when she was 48 years old. The next six volumes came fairly regularly during the next eleven years, but volume eight took six years to appear; that was in 1995, when she was 65. She's now eighty. Ricordi lost the materials needed for volume nine when they moved their offices. The handwriting is on the wall.
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Esther
April 07, 2012
Beautiful Edition
Extremely high quality and readability in this Edition of Scarlatti. Well worth the higher price for I shall have it for many years and pass it on to my Students. Thank you for offering this Publishing House to us!
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Anonymous
January 06, 2011
Not all of them
First, the other review failed to realize these are critical editions. They do not include edits by others. They are as the composer put them to paper from surviving copies. Apparently, no originals have survived. So, one needs to use their skill as a baroque musician to interepret well. Second, not ALL sonatas are represent in the present 8 volumes. I wish they would finish all the volumes. They are perfectly laid out, and very easy to read. Critical notes are interesting.
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