18484014
Sonate Op. 7
18484014
18484014
18484014
Copyright Material for Preview Only - Sheet Music Plus
Horn and piano - Grade 4
SKU: ET.CO28
Composed by Jean Perrin. Contemporary. Editions BIM #CO28. Published by Editions BIM (ET.CO28).
ISBN 9790207015426.
From 1953 to 1956, Jean Perrin composed 5 major sonatas, successively for horn, violin, cello, and flute, all with piano accompaniment, as well as a sonata for piano.
The three movements of the horn sonata follow a slow-fast-slow pattern.
The work opens with an "adagio ma non troppo" with broad and sustained phrases.
With its rapid cut time meter, the second movement is scherzo-like in the bounciness of its articulation. The central section is even more animated.
The last movement - the most developed and the richest in variety of themes - starts with a sweeping and noble melody. The strong tension of the phrases gives it a particularly expressive tone.
Jean Perrin's music is often extended by bi-modality, and the three movements of the sonata center around the warm tonality of E flat or its dominant B flat (in the second movement), a wonderful key that well suits the horn.
This work has been published with the support of the Jean Perrin Foundation.
Website: www.jeanperrin.ch.
Horn and piano - Grade 4
SKU: ET.CO28
Composed by Jean Perrin. Contemporary. Editions BIM #CO28. Published by Editions BIM (ET.CO28).
ISBN 9790207015426.
From 1953 to 1956, Jean Perrin composed 5 major sonatas, successively for horn, violin, cello, and flute, all with piano accompaniment, as well as a sonata for piano.
The three movements of the horn sonata follow a slow-fast-slow pattern.
The work opens with an "adagio ma non troppo" with broad and sustained phrases.
With its rapid cut time meter, the second movement is scherzo-like in the bounciness of its articulation. The central section is even more animated.
The last movement - the most developed and the richest in variety of themes - starts with a sweeping and noble melody. The strong tension of the phrases gives it a particularly expressive tone.
Jean Perrin's music is often extended by bi-modality, and the three movements of the sonata center around the warm tonality of E flat or its dominant B flat (in the second movement), a wonderful key that well suits the horn.
This work has been published with the support of the Jean Perrin Foundation.
Website: www.jeanperrin.ch.
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