Sonatas in D major and G major Flute - Sheet Music

Sonata 1 in D major opens with a Larghetto full of the rhetorical kind of expression one associates with Handel. It is followed by a busy Allegro and a concise Tempo di Minuetto movement that celebrates the extreme popularity of this dance, which, in contrast to its role in the Classical symphony, most often serves as a finale in works written around the middle of the century. | Sonata 2 in G major is in a traditional pastoral key. This association is confirmed immediately in a charming siciliana marked Andante. The Allegro assai that follows is dominated by its three-hammer-blow opening motive, which Balicourt treats with great insistence and some ingenuity. The concluding pair of movements illustrates Balicourt’s Janus-like cultivation of both galant and baroque musical languages. The Andante in E minor takes us into the world of a slow movement in a mid-eighteenth-century operatic sinfonia, while the Allegro has all the characteristics of a Corellian giga written fifty years earlier.

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Details

Instrument:
Flute Basso Continuo
Genres:
Baroque Period
Publishers:
Edition HH Music Publishers
ISBN:
9790708146520
Format:
Score Set of Parts Score and Parts
Item types:
Physical
Musical forms:
Sonata
Usages:
School and Community
Size:
8.27 x 11.69 inches
Shipping Weight:
0.55 pounds

Flute & basso continuo

SKU: HH.HH445-FSP

Composed by Simon Balicourt. Edited by Michael Talbot. Flute & Basso Continuo. Baroque. Full score and parts. Duration 18:00. Edition HH Music Publishers #HH445-FSP. Published by Edition HH Music Publishers (HH.HH445-FSP).

ISBN 9790708146520. 8.27 x 11.69 inches.

Sonata 1 in D major opens with a Larghetto full of the rhetorical kind of expression one associates with Handel. It is followed by a busy Allegro and a concise Tempo di Minuetto movement that celebrates the extreme popularity of this dance, which, in contrast to its role in the Classical symphony, most often serves as a finale in works written around the middle of the century. | Sonata 2 in G major is in a traditional pastoral key. This association is confirmed immediately in a charming siciliana marked Andante. The Allegro assai that follows is dominated by its three-hammer-blow opening motive, which Balicourt treats with great insistence and some ingenuity. The concluding pair of movements illustrates Balicourt’s Janus-like cultivation of both galant and baroque musical languages. The Andante in E minor takes us into the world of a slow movement in a mid-eighteenth-century operatic sinfonia, while the Allegro has all the characteristics of a Corellian giga written fifty years earlier.