Sonata para fagot de Mateo Soler Small Ensemble - Digital Sheet Music

Mateo Soler was born in Martorell (Barcelona), in 1729 and died on August 15, 1799. He was abassoonist of the Royal Chapel in Madrid from 1780 to 1799 and brother of the famouscomposer Padre Antonio Soler. Previously he was a bassoonist for the Reales GuardiasWalonas and Descalzas Reales.The Sonata para fagot is a work composed for the bassoon opposition to the Royal Chapel of1784. On the cover is "Sonata de Fagotto/ Pieza de Esamen/Compuesta Por Dn. MatheoSoler"The original manuscript is composed to be performed with the accompaniment ofunencrypted continuous bass. The author has chosen the option of making a harmonizedaccompaniment to facilitate its interpretation and dissemination. In this way, it can be playedas a duet (with bassoon or cello accompaniment) or as a sonata (with piano or harpsichordaccompaniment).It presents a moderate technical difficulty, and shows a musical and aesthetic interest similarto the European of its time.

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Details

Format:
Set of Parts Score and Parts
Item types:
Digital
Musical forms:
Sonata
Usages:
School and Community
Number of Pages:
36

Small Ensemble Bass Voice,Bassoon,Piano Accompaniment - Digital Download

SKU: A0.1001333

Composed by Mateo Soler. Arranged by OVIDIO GIMENEZ. Classical. Score and parts. 36 pages. Smartbassoon #6367013. Published by Smartbassoon (A0.1001333).

Mateo Soler was born in Martorell (Barcelona), in 1729 and died on August 15, 1799. He was a
bassoonist of the Royal Chapel in Madrid from 1780 to 1799 and brother of the famous
composer Padre Antonio Soler. Previously he was a bassoonist for the Reales Guardias
Walonas and Descalzas Reales.
The Sonata para fagot is a work composed for the bassoon opposition to the Royal Chapel of
1784. On the cover is "Sonata de Fagotto/ Pieza de Esamen/Compuesta Por Dn. Matheo
Soler"
The original manuscript is composed to be performed with the accompaniment of
unencrypted continuous bass. The author has chosen the option of making a harmonized
accompaniment to facilitate its interpretation and dissemination. In this way, it can be played
as a duet (with bassoon or cello accompaniment) or as a sonata (with piano or harpsichord
accompaniment).
It presents a moderate technical difficulty, and shows a musical and aesthetic interest similar
to the European of its time.

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