Composed by Giuseppe Tartini. Edited by Agnese Pavanello. This edition: urtext edition. Stapled. Barenreiter Urtext. Replaces HM 278. Score, Set of parts. Baerenreiter Verlag #BA10919. Published by Baerenreiter Verlag (BA.BA10919).
ISBN 9790006559879. 12.2 x 9.65 inches. Key: G minor. Preface: Agnese Pavanello.
The “Devil’s Trill” Sonata is the most famous of the violin sonatas of Giuseppe Tartini (1692–1770). In the new scholarly-critical edition, it holds many a surprise in store. For the first time, all available contemporary sources have been consulted to produce an edition closely approximating Tartini’s lost autograph. The solo part offers several ossia passages and alternative articulation marks, and the score have been given an eminently playable realization of the continuo part offering ample scope for improvisation. Also for the first time, this edition includes a separate part for violoncello or violone.
A detailed preface sheds light on the genesis and subsequent reception of this sonata. There is also a critical report discussing and evaluating all sources used and providing explanations of a number of important passages, including the famous trill itself.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
Composed by Giuseppe Tartini. Edited by Agnese Pavanello. This edition: urtext edition. Stapled. Barenreiter Urtext. Replaces HM 278. Score, Set of parts. Baerenreiter Verlag #BA10919. Published by Baerenreiter Verlag (BA.BA10919).
ISBN 9790006559879. 12.2 x 9.65 inches. Key: G minor. Preface: Agnese Pavanello.
The “Devil’s Trill” Sonata is the most famous of the violin sonatas of Giuseppe Tartini (1692–1770). In the new scholarly-critical edition, it holds many a surprise in store. For the first time, all available contemporary sources have been consulted to produce an edition closely approximating Tartini’s lost autograph. The solo part offers several ossia passages and alternative articulation marks, and the score have been given an eminently playable realization of the continuo part offering ample scope for improvisation. Also for the first time, this edition includes a separate part for violoncello or violone.
A detailed preface sheds light on the genesis and subsequent reception of this sonata. There is also a critical report discussing and evaluating all sources used and providing explanations of a number of important passages, including the famous trill itself.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
Preview: Sonata for Violin and Basso continuo in G Minor - "Devil's Trill"
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