Soliloquy for Clarinet and String Quartet by John Corigliano Clarinet - Sheet Music

By John Corigliano

From the composer: Soliloquy was written in memory of my father, who died on September 1, 1975. He had been a concertmaster of the New York Philharmonic for 23 years, and I still find it hard to think of that orchestra without him sitting in the first chair. So the idea of an extended dialogue for clarinet and violin seemed not only natural but inevitable. The Soliloquy begins with a long, unaccompanied line for the violin. The other strings enter, and a mood of sustained lyricism introduces the clarinet. The prevailing feeling is that of desolation. I deliberately avoided an emotional climax in the Soliloquy, feeling that sustaining the same mood throughout the music would achieve a heightened intensity. Structurally, this movement alternates two melodic ideas. The first is introduced by the violin (in B), while the second (in B-flat) is represented by the clarinet. A three-note motto (C-sharp, B, B-flat) grows from the alternation of the two tonalities and provides a third major element. The movement ends as it began, with the same long violin line, this time joined by the clarinet.

Print edition
$9.59
$29.99
You save: $20.40 ~ 68%

WELCOME20 activated

In Stock
Usually ships within 24 hours.
Quantity
1
Get a 10% discount with SMP Plus subscription

Details

Instrument:
Clarinet
Genres:
Classical
Composers:
John Corigliano
Publishers:
G. Schirmer
UPC:
888680694784
ISBN:
9781495095665
Format:
Set of Parts Score and Parts
Item types:
Physical
Artist:
John Corigliano
Usages:
School and Community
Size:
9x12 inches
Shipping Weight:
0.39 pounds

Clarinet, String Quartet (Score & Parts)

SKU: HL.50600931

For Clarinet and String Quartet. Composed by John Corigliano. Ensemble. Classical. G. Schirmer #ED4691. Published by G. Schirmer (HL.50600931).

ISBN 9781495095665. UPC: 888680694784. 9x12 inches.

From the composer: Soliloquy was written in memory of my father, who died on September 1, 1975. He had been a concertmaster of the New York Philharmonic for 23 years, and I still find it hard to think of that orchestra without him sitting in the first chair. So the idea of an extended dialogue for clarinet and violin seemed not only natural but inevitable. The Soliloquy begins with a long, unaccompanied line for the violin. The other strings enter, and a mood of sustained lyricism introduces the clarinet. The prevailing feeling is that of desolation. I deliberately avoided an emotional climax in the Soliloquy, feeling that sustaining the same mood throughout the music would achieve a heightened intensity. Structurally, this movement alternates two melodic ideas. The first is introduced by the violin (in B), while the second (in B-flat) is represented by the clarinet. A three-note motto (C-sharp, B, B-flat) grows from the alternation of the two tonalities and provides a third major element. The movement ends as it began, with the same long violin line, this time joined by the clarinet.