1787176
Soliloquy
1787176
1787176
1787176
Copyright Material for Preview Only - Sheet Music Plus
Chamber Music Flute(s)
SKU: PR.114407320
Op. 44. Composed by Lowell Liebermann. This edition: saddle-wire stitch. Sws. Classical. Solo part. With Standard notation. Composed 1993. Opus 44. 8 pages. Duration 0:05:00. Theodore Presser Company #114-40732. Published by Theodore Presser Company (PR.114407320).
ISBN 9781598067927. UPC: 680160011292. 9 x 12 inches.
See notes about recordings and the first premiere on the inside cover. The Soliloquy Op. 44 was commissioned by flautist Katherine Kemler. The work is in one movement of about five minutes duration. It is a fantasy-like piece containing no bar lines, and is meant to be played with a fair amount of rubato. The work's material is generated from the opening motive consisting of a triad and raised fourth. It is developed in a way to show off the different registers and tone colors of the flute, contrasting slow, fast, and more fragmented music.
See notes about recordings and the first premiere on the inside cover.The Soliloquy Op. 44 was commissioned by flautist Katherine Kemler. The work is in one movement of about five minutes duration. It is a fantasy-like piece containing no bar lines, and is meant to be played with a fair amount of rubato. The work’s material is generated from the opening motive consisting of a triad and raised fourth. It is developed in a way to show off the different registers and tone colors of the flute, contrasting slow, fast, and more fragmented music.
See notes about recordings and the first premiere on the inside cover.The Soliloquy Op. 44 was commissioned by flautist Katherine Kemler.xa0 The work is in one movement of about five minutes duration.xa0 It is a fantasy-like piece containing no bar lines, and is meant to be played with a fair amount of rubato.xa0 The work’s material is generated from the opening motive consisting of a triad and raised fourth.xa0 It is developed in a way to show off the different registers and tone colors of the flute, contrasting slow, fast, and more fragmented music.
Chamber Music Flute(s)
SKU: PR.114407320
Op. 44. Composed by Lowell Liebermann. This edition: saddle-wire stitch. Sws. Classical. Solo part. With Standard notation. Composed 1993. Opus 44. 8 pages. Duration 0:05:00. Theodore Presser Company #114-40732. Published by Theodore Presser Company (PR.114407320).
ISBN 9781598067927. UPC: 680160011292. 9 x 12 inches.
See notes about recordings and the first premiere on the inside cover. The Soliloquy Op. 44 was commissioned by flautist Katherine Kemler. The work is in one movement of about five minutes duration. It is a fantasy-like piece containing no bar lines, and is meant to be played with a fair amount of rubato. The work's material is generated from the opening motive consisting of a triad and raised fourth. It is developed in a way to show off the different registers and tone colors of the flute, contrasting slow, fast, and more fragmented music.
See notes about recordings and the first premiere on the inside cover.The Soliloquy Op. 44 was commissioned by flautist Katherine Kemler. The work is in one movement of about five minutes duration. It is a fantasy-like piece containing no bar lines, and is meant to be played with a fair amount of rubato. The work’s material is generated from the opening motive consisting of a triad and raised fourth. It is developed in a way to show off the different registers and tone colors of the flute, contrasting slow, fast, and more fragmented music.
See notes about recordings and the first premiere on the inside cover.The Soliloquy Op. 44 was commissioned by flautist Katherine Kemler.xa0 The work is in one movement of about five minutes duration.xa0 It is a fantasy-like piece containing no bar lines, and is meant to be played with a fair amount of rubato.xa0 The work’s material is generated from the opening motive consisting of a triad and raised fourth.xa0 It is developed in a way to show off the different registers and tone colors of the flute, contrasting slow, fast, and more fragmented music.
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