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  • Sobs and sighing, tears and crying by Johann Sebastian Bach 4-Part - Sheet Music
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Sobs and sighing, tears and crying Cantata for the 2nd Sunday after Epiphany by Johann Sebastian Bach 4-Part - Sheet Music

By Johann Sebastian Bach

Bach's cantata BWV 13 (from the third cycle of Leipzig cantatas) was first performed on the 2nd Sunday after Epiphany in 1726. This work is marked especially by its scoring, unusual in Bach's church music, in which the strings are joined by two recorders and an oboe da caccia: these wind instruments are used to convey the dominant affections of "sighing" and "pain" in the individual arias. In accordance with the intimate character of this cantata the four-part vocal ensemble is used only in the chorale at the end of the work. Score and part available separately - see item CA.3101300

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Details

Instrument:
Choir Organ Organ Accompaniment Voice
Ensembles:
4-Part SATB
Genres:
Christian Baroque Period
Composers:
Johann Sebastian Bach
Publishers:
Carus Verlag
Series:
Stuttgart Urtext Edition
ISBN:
9790007204709
Format:
Part
Item types:
Physical
Musical forms:
Cantata
Artist:
Johann Sebastian Bach
Usages:
Epiphany
Size:
9 x 12 inches
Shipping Weight:
0.13 pounds

Organ (Soli SATB, Coro SATB, 2 Blfl f1, Obca, 2 Vl, Va, Bc)

SKU: CA.3101349

Cantata for the 2nd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Julia Doht. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Meine Seufzer, meine Tranen Pod. Sacred vocal music, Epiphany. Individual part. Composed 1726. BWV 13. Duration 21 minutes. Carus Verlag #CV 31.013/49. Published by Carus Verlag (CA.3101349).

ISBN 9790007204709. 9 x 12 inches. Language: German/English.

Bach's cantata BWV 13 (from the third cycle of Leipzig cantatas) was first performed on the 2nd Sunday after Epiphany in 1726. This work is marked especially by its scoring, unusual in Bach's church music, in which the strings are joined by two recorders and an oboe da caccia: these wind instruments are used to convey the dominant affections of "sighing" and "pain" in the individual arias. In accordance with the intimate character of this cantata the four-part vocal ensemble is used only in the chorale at the end of the work. Score and part available separately - see item CA.3101300.

More by this Composer:
Johann Sebastian Bach Johann Sebastian Bach Choir Johann Sebastian Bach Piano Johann Sebastian Bach Piano Accompaniment
Series:
Stuttgart Urtext Edition
Instrument:
Vocal Choir Piano and Keyboard Organ Piano and Keyboard Organ Accompaniment Vocal Voice
Artists:
Johann Sebastian Bach
Ensemble:
4-Part SATB
Publisher:
Carus Verlag