Sleep Concerto for Violin and Chamber Orchestra by James Matheson Orchestra - Sheet Music

By James Matheson

Composed for violinist Baird Dodge in 1995-97, SLEEP is a 25-minute concerto in three movements. Thefirst movement (Twitching) is dramatic in character, full of contrasts, pitting the violin against the orchestra in more or less romantic fashion. The second (Breathing) is comprised of overlapping layers of simple harmonies accompanying a freely evolving, lyrical melody in the violin. In the third movement (Sweating), the soloist and ensemble initially work together to create a rising line. They soon diverge, and an increasing layering of multiple lines throughout the ensemble leads to a very high point of density which is then abruptly cut off by the virtuosic frenzy in the violin which ends the work.

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Details

Format:
Score
Item types:
Physical
Musical forms:
Concerto
Artist:
James Matheson
Usages:
School and Community
Number of Pages:
95
Size:
8.5 x 11 inches
Shipping Weight:
3.39 pounds

Orchestra Bass Drum, Bassoon, Clarinet in Bb, Clarinet in Eb, Contrabass, Flute, Glockenspiel, Horn in F, Marimba, Oboe, Percussion, Piano, Piccolo, Tam-Tam, Timpani, Trombone, Trumpet in Bb, Vibraphone, Viola, Violin, Violin 1, Violin 2, Violoncello, Xylophone

SKU: PR.416414210

Concerto for Violin and Chamber Orchestra. Composed by James Matheson. Contemporary. Full score. With Standard notation. Composed March 15 1997. 95 pages. Duration 0:25:00. Theodore Presser Company #416-41421. Published by Theodore Presser Company (PR.416414210).

UPC: 680160602049. 8.5 x 11 inches.

Composed for violinist Baird Dodge in 1995-97, SLEEP is a 25-minute concerto in three movements. Thefirst movement (Twitching) is dramatic in character, full of contrasts, pitting the violin against the orchestra in more or less romantic fashion. The second (Breathing) is comprised of overlapping layers of simple harmonies accompanying a freely evolving, lyrical melody in the violin. In the third movement (Sweating), the soloist and ensemble initially work together to create a rising line. They soon diverge, and an increasing layering of multiple lines throughout the ensemble leads to a very high point of density which is then abruptly cut off by the virtuosic frenzy in the violin which ends the work.