6355119
Slavonic Dances Op. 46
6355119
6355119
6355119
Copyright Material for Preview Only - Sheet Music Plus
Violin 1 part (picc.2.2.2.2 – 4.2.3.0 – timp.perc – str)
SKU: BR.OB-5273-15
Urtext. Composed by Antonin Dvorak. Edited by Klaus Doge. Stapled. Orchester-Bibliothek (Orchestral Library). The Slavonic Dances Op. 46, which began to conquer the world's concert halls in 1878, made a major contribution to Dvorak's international breakthrough. The Urtext edition is based on the main sources, mainly on the autograph score and the first edition. Dances/marches; Romantic. Part. 20 pages. Duration 35:00. Breitkopf and Haertel #OB 5273-15. Published by Breitkopf and Haertel (BR.OB-5273-15).
ISBN 9790004332498. 10 x 12.5 inches.
In his Slavonic Dances Op. 46, Dvorak did not draw on pre-existent music, but created something original and new, projecting his own compositional will into the creative process. What we hear are Dvoraks melodies,and that it is due to his creative will that he cast them as in Dance 3, for example in the form of a melodic four-tone model which is common to many folk songs and childrens songs. Finally, it is his rhythmic invention and shaping of the musical character of each dance that breathe life into the elements of Slavonic dance music.
Violin 1 part (picc.2.2.2.2 – 4.2.3.0 – timp.perc – str)
SKU: BR.OB-5273-15
Urtext. Composed by Antonin Dvorak. Edited by Klaus Doge. Stapled. Orchester-Bibliothek (Orchestral Library). The Slavonic Dances Op. 46, which began to conquer the world's concert halls in 1878, made a major contribution to Dvorak's international breakthrough. The Urtext edition is based on the main sources, mainly on the autograph score and the first edition. Dances/marches; Romantic. Part. 20 pages. Duration 35:00. Breitkopf and Haertel #OB 5273-15. Published by Breitkopf and Haertel (BR.OB-5273-15).
ISBN 9790004332498. 10 x 12.5 inches.
In his Slavonic Dances Op. 46, Dvorak did not draw on pre-existent music, but created something original and new, projecting his own compositional will into the creative process. What we hear are Dvoraks melodies,and that it is due to his creative will that he cast them as in Dance 3, for example in the form of a melodic four-tone model which is common to many folk songs and childrens songs. Finally, it is his rhythmic invention and shaping of the musical character of each dance that breathe life into the elements of Slavonic dance music.
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