Six sonates en trio, vol. I, BWV 525 by Johann Sebastian Bach Flute - Sheet Music

By Johann Sebastian Bach

vln / fl. / guit.Here is a chance to play Bach with flute, violin and guitar which should be - literally - grabbed with both hands by guitarists of Grade 6 standard and above. The guitar part, while interesting and pleasing to play, is not difflcult - it's essentially cast in an accompanying role, while the other instruments dash about with their single lines...as they are wont to do. The end product is a thoroughly satisfying arrangement, one which will surely give pleasure to players and audiences alike if it is played firmly, crisply, and with well considered ensemble. The guitarist has the opportunity here to play with strength - he/she will need to do so or be swamped - but without having to worry overmuch about technicalities. This is a part to sort out, practise, and then enjoy with musical companions, maybe even push them a bit! Go for it!(Chris Kilvington, Classical Guitar)

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Details

Instrument:
Flute Classical Guitar Violin
Genres:
Baroque Period
Composers:
Johann Sebastian Bach
Publishers:
Les Productions d'OZ
ISBN:
9782895000464
Format:
Score Set of Parts Score and Parts
Item types:
Physical
Level:
Intermediate
Artist:
Johann Sebastian Bach
Usages:
School and Community
Shipping Weight:
0.5 pounds

Guitar, flute, violin - Intermediate

SKU: DZ.DZ-161

Composed by Johann Sebastian Bach. Arranged by Éric Dussault. Score and parts. Les Productions d'OZ #DZ 161. Published by Les Productions d'OZ (DZ.DZ-161).

ISBN 9782895000464.



vln / fl. / guit.

Here is a chance to play Bach with flute, violin and guitar which should be - literally - grabbed with both hands by guitarists of Grade 6 standard and above. The guitar part, while interesting and pleasing to play, is not difflcult - it's essentially cast in an accompanying role, while the other instruments dash about with their single lines...as they are wont to do. The end product is a thoroughly satisfying arrangement, one which will surely give pleasure to players and audiences alike if it is played firmly, crisply, and with well considered ensemble. The guitarist has the opportunity here to play with strength - he/she will need to do so or be swamped - but without having to worry overmuch about technicalities. This is a part to sort out, practise, and then enjoy with musical companions, maybe even push them a bit! Go for it!
(Chris Kilvington, Classical Guitar).