Six Anthems for Lent and Holy Week (SATB divisi) by Curtis Hanson Divisi - Digital Sheet Music

By Curtis Hanson

The pieces which comprise the Six Lenten Anthems are scored for SATB divisi chorus and organ and are both original and arrangements. They were conceived as a unit, i.e. some material is thematically related. The cycle is in arch form - pieces one (Out of the Depths) and six (Be Near Me, Precious Savior) are edited versions of German chorales, both of which have ties to Hassler and Protestant Germany and which have similar cadences. Pieces two (Lamb of God) and five (When Jesus Wept) are arrangements of works utilizing modal dissonance in juxtaposition, number two being another traditional German chorale, number five a familiar melody by Billings. Pieces three (Hosanna! and four (Jerusalem) are original works which require multiple divisi and also employ significant dissonance. Each of the pieces are available and may be performed separately.

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Details

Instrument:
Choir
Ensembles:
Divisi 4-Part SATB
Genres:
Christian
Publishers:
Curtis Hanson
Series:
ArrangeMe
Format:
Octavo
Item types:
Digital
Level:
Late Intermediate
Musical forms:
Anthem
Artist:
Curtis Hanson
Arrangers:
Curtis Hanson
Usages:
Holy Week Hymn Anthems
Number of Pages:
20

Choral Choir (SATB) - Level 4 - Digital Download

SKU: A0.719561

Composed by Multiple composers. Arranged by Curtis Hanson. Christian,Sacred. Octavo. 20 pages. Curtis Hanson #2036367. Published by Curtis Hanson (A0.719561).

The pieces which comprise the Six Lenten Anthems are scored for SATB divisi chorus and organ and are both original and arrangements. They were conceived as a unit, i.e. some material is thematically related. The cycle is in arch form - pieces one (Out of the Depths) and six (Be Near Me, Precious Savior) are edited versions of German chorales, both of which have ties to Hassler and Protestant Germany and which have similar cadences. Pieces two (Lamb of God) and five (When Jesus Wept) are arrangements of works utilizing modal dissonance in juxtaposition, number two being another traditional German chorale, number five a familiar melody by Billings. Pieces three (Hosanna! and four (Jerusalem) are original works which require multiple divisi and also employ significant dissonance. Each of the pieces are available and may be performed separately.

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