21874811
SILBERKLÄNGE (2019)
21874811
21874811
21874811
Copyright Material for Preview Only - Sheet Music Plus
Organ
SKU: BA.BA11263
Composed by Zsigmond Szathmary. Edited by Zsigmond Szathmary. Stapled. Organova 15. For the Silbermann organ in the St. Georgenkirche Rötha. Performance score. Composed 2019. 15 pages. Baerenreiter Verlag #BA11263. Published by Baerenreiter Verlag (BA.BA11263).
ISBN 9790006569588. 9.45 x 11.89 inches.
The composition “Silberklänge” was commissioned for the 2020 International Johann Sebastian Bach Competition in Leipzig.
The composer noted: “During my first visit to the Georgenkirche in Rötha, I was impressed by the immensely vibrant and noble sounds of the historic Silbermann organ (1721), the endless variety of possible timbre combinations, the stellar acoustics of the church, and the historic atmosphere, which shaped and tamed my musical thoughts, transporting me into my very own ‘baroque’ world.”
This edition contains registration marks that reflect the soundscape the composer intended to achieve with this particular organ. Performing the work on an organ with different registration possibilities will open up a new spectrum of possible timbres.
Organ
SKU: BA.BA11263
Composed by Zsigmond Szathmary. Edited by Zsigmond Szathmary. Stapled. Organova 15. For the Silbermann organ in the St. Georgenkirche Rötha. Performance score. Composed 2019. 15 pages. Baerenreiter Verlag #BA11263. Published by Baerenreiter Verlag (BA.BA11263).
ISBN 9790006569588. 9.45 x 11.89 inches.
The composition “Silberklänge” was commissioned for the 2020 International Johann Sebastian Bach Competition in Leipzig.
The composer noted: “During my first visit to the Georgenkirche in Rötha, I was impressed by the immensely vibrant and noble sounds of the historic Silbermann organ (1721), the endless variety of possible timbre combinations, the stellar acoustics of the church, and the historic atmosphere, which shaped and tamed my musical thoughts, transporting me into my very own ‘baroque’ world.”
This edition contains registration marks that reflect the soundscape the composer intended to achieve with this particular organ. Performing the work on an organ with different registration possibilities will open up a new spectrum of possible timbres.
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