18096098
Si ch'io vorrei morire
18096098
18096098
18096098
Copyright Material for Preview Only - Sheet Music Plus
SATBB choir a cappella (SATBB choir)
SKU: AN.AMP-0041
Composed by Claudio Monteverdi. Edited by Kenneth Fulton. Octavo. Alliance Music Publications #AMP 0041. Published by Alliance Music Publications (AN.AMP-0041).
Monteverdi/Fulton.
Si ch'io vorrei morire
Yes, I want to die!
Now, with love, I kiss the mouth of my lover.
Ah, dear and sweet kiss,
You give me such a feeling that I may pass on.
Oh my life, on this pale breast!
For pity's sake, love me.
Oh, the mouth, the kiss.
The words return again to say:
Yes, I want to die!
Si ch'io vorrei morire is from Claudio Monteverdi's n Quarto Libro deMadrigali a cinque voci (Fourth Book of Madrigals for Five Voices) publishedin 1603. It is written in a style consistent with the choral/vocal music of the highRenaissance, a much different style than one finds in the late books of madrigalsby the same composer.
Editorial accidentals are enclosed in parentheses [ ( # ) etc ]. One note has beenaltered to correct a probable error (the original note is indicated in parenthesesin measure 55). All expressive markings are suggestions from the editor.
SATBB choir a cappella (SATBB choir)
SKU: AN.AMP-0041
Composed by Claudio Monteverdi. Edited by Kenneth Fulton. Octavo. Alliance Music Publications #AMP 0041. Published by Alliance Music Publications (AN.AMP-0041).
Monteverdi/Fulton.
Si ch'io vorrei morire
Yes, I want to die!
Now, with love, I kiss the mouth of my lover.
Ah, dear and sweet kiss,
You give me such a feeling that I may pass on.
Oh my life, on this pale breast!
For pity's sake, love me.
Oh, the mouth, the kiss.
The words return again to say:
Yes, I want to die!
Si ch'io vorrei morire is from Claudio Monteverdi's n Quarto Libro deMadrigali a cinque voci (Fourth Book of Madrigals for Five Voices) publishedin 1603. It is written in a style consistent with the choral/vocal music of the highRenaissance, a much different style than one finds in the late books of madrigalsby the same composer.
Editorial accidentals are enclosed in parentheses [ ( # ) etc ]. One note has beenaltered to correct a probable error (the original note is indicated in parenthesesin measure 55). All expressive markings are suggestions from the editor.
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