Chamber Ensemble Marimba & Piano (marimba (5-octave) piano) - medium
SKU: CN.15060
Composed by Bruce Broughton. Percussion Music. Score & 1 part. Duration 23:30. Published by C. Alan Publications (CN.15060).
A modern duet for piano and marimba with hints to the romantic piano writing of Liszt and Rachmoninoff. Other musical styles can be heard in each of the "stories" from baroque to minimalism with a listener-friendly virtuostic final movement.
1. The Zahir From a story by Borges, the zahir is an object that is unforgettable. In the Borges story, the zahir was a coin. In this piece, the zahir is the opening four chords, from which the rest of the piece cannot wrest itself. 2. Doppelganger The Doppelganger (literally 'double goer' in German) is one's double, another version of oneself. Though the idea has in mythology and psychology certain negative or whimsical associations, the Doppe!ganger presented here is another version of the same thing, one piece played in different ways by two instruments simultaneously, each independent of, but similar to, the other 3. Consolation in Moscow This is an imaginary meeting between Liszt, the composer of the Consolations, and Rachmaninoff, the composer/pianist from Moscow. Each composer is represented by his distinctive harmonic or pianist style. The two composers are favorites of Brenton Dunnington, by whom Short Stories was commissioned. 4. Road Trip Road trips take the traveler through various locales. In this piece, the road trip takes the listener and performers through various musical styles, beginning with the baroque and traveling quickly to minimalism. 5. Virtuosi Afloat on a Sea of White A virtuoso finale in a listener-friendly 'war-horse' style. Commissioned by Marimbist Brenton Dunnington With a loving dedication to Ann Marie.
Chamber Ensemble Marimba & Piano (marimba (5-octave) piano) - medium
SKU: CN.15060
Composed by Bruce Broughton. Percussion Music. Score & 1 part. Duration 23:30. Published by C. Alan Publications (CN.15060).
A modern duet for piano and marimba with hints to the romantic piano writing of Liszt and Rachmoninoff. Other musical styles can be heard in each of the "stories" from baroque to minimalism with a listener-friendly virtuostic final movement.
1. The Zahir From a story by Borges, the zahir is an object that is unforgettable. In the Borges story, the zahir was a coin. In this piece, the zahir is the opening four chords, from which the rest of the piece cannot wrest itself. 2. Doppelganger The Doppelganger (literally 'double goer' in German) is one's double, another version of oneself. Though the idea has in mythology and psychology certain negative or whimsical associations, the Doppe!ganger presented here is another version of the same thing, one piece played in different ways by two instruments simultaneously, each independent of, but similar to, the other 3. Consolation in Moscow This is an imaginary meeting between Liszt, the composer of the Consolations, and Rachmaninoff, the composer/pianist from Moscow. Each composer is represented by his distinctive harmonic or pianist style. The two composers are favorites of Brenton Dunnington, by whom Short Stories was commissioned. 4. Road Trip Road trips take the traveler through various locales. In this piece, the road trip takes the listener and performers through various musical styles, beginning with the baroque and traveling quickly to minimalism. 5. Virtuosi Afloat on a Sea of White A virtuoso finale in a listener-friendly 'war-horse' style. Commissioned by Marimbist Brenton Dunnington With a loving dedication to Ann Marie.
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