Composed by Antonin Dvorak. Edited by Robin Tait. This edition: urtext edition. Paperback. Barenreiter Urtext. Replaces H 1928. Score. Opus 44. Baerenreiter Verlag #BA10424. Published by Baerenreiter Verlag (BA.BA10424).
ISBN 9790260107489. 12.2 x 9.57 inches. Preface: David R. Beveridge.
In 1878 Dvorák was in Vienna and was so impressed by a performance of Mozart’s Wind Serenade in B-flat major K. 361 that he wrote his own wind serenade within the space of two weeks after his return. Taking Mozart’s piece as his model, he supplemented the wind band with a bass part for violoncello and double bass.
The op. 44 Serenade, which also delighted Johannes Brahms, was issued by Dvorák’s publisher Simrock shortly after its première. Our new Urtext edition draws on this first print while using the autograph to correct a number of mistakes and above all inconsistencies in articulation.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
Composed by Antonin Dvorak. Edited by Robin Tait. This edition: urtext edition. Paperback. Barenreiter Urtext. Replaces H 1928. Score. Opus 44. Baerenreiter Verlag #BA10424. Published by Baerenreiter Verlag (BA.BA10424).
ISBN 9790260107489. 12.2 x 9.57 inches. Preface: David R. Beveridge.
In 1878 Dvorák was in Vienna and was so impressed by a performance of Mozart’s Wind Serenade in B-flat major K. 361 that he wrote his own wind serenade within the space of two weeks after his return. Taking Mozart’s piece as his model, he supplemented the wind band with a bass part for violoncello and double bass.
The op. 44 Serenade, which also delighted Johannes Brahms, was issued by Dvorák’s publisher Simrock shortly after its première. Our new Urtext edition draws on this first print while using the autograph to correct a number of mistakes and above all inconsistencies in articulation.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
Preview: Serenade for Wind Instruments, Violoncello and Double Bass op. 44
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