Semiramide Band 5 - Abteilung 1 - Buhnenwerke - Klavierauszug by Giacomo Meyerbeer Voice - Sheet Music

SKU: BT.SY-5612-03

Synopsis: After the death of the Assyrian king, the throne should have gone to his and Semiraminde’s son, Nino. But when he seems too weak and incapable, Semiraminde assumes his identity and assumes power. Princess Tamiri is to choose a husband. Among the suitors is Semiraminde’s brother Mirteo, her former lover Scitalce, and his friend Sibari. Sibari sees through Semiraminde’s disguise despite having thought her killed when Scitalce once threw her into a river after he falsely raised suspicions of infidelity. Despite this, Semiraminde still loves Scitalce and tries to prevent Princess Tamiri from choosing him as her husband. Semiraminde reveals herself and publicly denounces Sibari, she pardons Scitalce, and marries him while Tamiri and Mirteo are also wedded.
Genesis: Meyerbeer's second Italian opera, composed for Turin, is based on Metastasio's Semiramide riconosciuta (Semiramis Recognized), one of the 18th Century’s most frequently-set opera texts. At this time in Turin – the years of the restoration – reference to the old opera seria was particular to the region. It was a matter of the subject’s aura. The original work’s intricate plot dealing with the legendary Babylonian queen was shortened massively and adapted to the contemporary Rossinian vocal opera. Particularly interesting is the introduction, which with protagonist’s appearance (which would usually occur later with an aria) represents a new type of large-scale scene that became associated with the composer by name (“Introduzione alla Meyerbeer”).
This critical edition score was thought to be lost in the second world war. An unknown manuscript copy made in the early 20th Century from Meyerbeer’s autograph in Berlin recently appeared at the Library of Congress, Washington D.C. With the help of the original libretto and some accurate descriptions in reviews from the period, it was possible to recover all music from the premiere. The score may also be provided with the correct overture (which is missing from the recovered source), borrowed from the previous opera Romilda e Costanza.