21558452
Scherzi
21558452
21558452
21558452
Copyright Material for Preview Only - Sheet Music Plus
Solo piano piano solo - Grade 5
SKU: B7.B770
Composed by Allen Molineux. Edited by Howard J. Buss. 21st Century. Score. Brixton Publications #B770. Published by Brixton Publications (B7.B770).
8.5x11 inches.
Scherzi for Piano by Allen Molineux - These miniatures are 6 different ways of looking at the scherzo genre. The first deals with allowing the performer to freely play the material. The second, at times, hints at a jazz-like swing style. The third is a special kind of quodlibet in that it uses snippets of well-known scherzi for piano and also for orchestra with numerous appearances of the Chopin Scherzo No. 2 holding it all together, while some actually interact with each other. For example, Brahms, Clara and Robert Schumann do get in a bit of a tangle and Bruckner seems to be at odds with the early Romantics of Beethoven and Schubert. The fourth is a conversational contrast between herky-jerky and groove motion. The fifth, which is the briefest, is a contest between a short staccato figure and an ever-expanding legato one. The final scherzo is a distorted ragtime piece where the left hand avoids the typical march-like accompaniment pattern. (9'50) Grade V.
Solo piano piano solo - Grade 5
SKU: B7.B770
Composed by Allen Molineux. Edited by Howard J. Buss. 21st Century. Score. Brixton Publications #B770. Published by Brixton Publications (B7.B770).
8.5x11 inches.
Scherzi for Piano by Allen Molineux - These miniatures are 6 different ways of looking at the scherzo genre. The first deals with allowing the performer to freely play the material. The second, at times, hints at a jazz-like swing style. The third is a special kind of quodlibet in that it uses snippets of well-known scherzi for piano and also for orchestra with numerous appearances of the Chopin Scherzo No. 2 holding it all together, while some actually interact with each other. For example, Brahms, Clara and Robert Schumann do get in a bit of a tangle and Bruckner seems to be at odds with the early Romantics of Beethoven and Schubert. The fourth is a conversational contrast between herky-jerky and groove motion. The fifth, which is the briefest, is a contest between a short staccato figure and an ever-expanding legato one. The final scherzo is a distorted ragtime piece where the left hand avoids the typical march-like accompaniment pattern. (9'50) Grade V.
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