17395556
Sacred Songs
17395556
17395556
17395556
Copyright Material for Preview Only - Sheet Music Plus
SKU: CA.4075800
Composed by Heinrich von Herzogenberg. Edited by Konrad Klek. This edition: Paperbound. Genres / texts frequently set to music: Sacred vocal music. Sacred vocal music. Score. Composed 1842. 24 pages. Carus Verlag #CV 40.758/00. Published by Carus Verlag (CA.4075800).
ISBN 9790007068929. 8.27 x 11.69 inches.
The four Sacred songs op. 89 for high voice, violin and organ were composed in 1895, when Heinrich von Herzogenberg was Professor of Composition at the Berlin Conservatory. They are dedicated to Anna Schulze, who was a colleague of Herzogenberg at the Conservatory which was headed by Joseph Joachim. Perhaps Herzogenberg’s choice of instruments for these songs was guided by his personal connection with both of his colleagues. In the religious sphere he achieved a unique transformation of the art song, represented not only by the organ accompaniment but also by the older, symbolic connotation of the violin as an angel’s instrument.
- Gebet, Op. 89no. 1 - Fis-Dur/F# major
- Der Einsiedler, Op. 89no. 2 - G-Dur/G major
- Wanderers Nachtlied, Op. 89no. 3 - B-Dur/B-flat major
- Die Flucht der heiligen Familie, Op. 89no4 - G-Dur/G major
SKU: CA.4075800
Composed by Heinrich von Herzogenberg. Edited by Konrad Klek. This edition: Paperbound. Genres / texts frequently set to music: Sacred vocal music. Sacred vocal music. Score. Composed 1842. 24 pages. Carus Verlag #CV 40.758/00. Published by Carus Verlag (CA.4075800).
ISBN 9790007068929. 8.27 x 11.69 inches.
The four Sacred songs op. 89 for high voice, violin and organ were composed in 1895, when Heinrich von Herzogenberg was Professor of Composition at the Berlin Conservatory. They are dedicated to Anna Schulze, who was a colleague of Herzogenberg at the Conservatory which was headed by Joseph Joachim. Perhaps Herzogenberg’s choice of instruments for these songs was guided by his personal connection with both of his colleagues. In the religious sphere he achieved a unique transformation of the art song, represented not only by the organ accompaniment but also by the older, symbolic connotation of the violin as an angel’s instrument.
- Gebet, Op. 89no. 1 - Fis-Dur/F# major
- Der Einsiedler, Op. 89no. 2 - G-Dur/G major
- Wanderers Nachtlied, Op. 89no. 3 - B-Dur/B-flat major
- Die Flucht der heiligen Familie, Op. 89no4 - G-Dur/G major
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