19213008
Rose Room
19213008
19213008
19213008
Copyright Material for Preview Only - Sheet Music Plus
Big band - Medium
SKU: JL.LL-1246
By Artie Shaw. Arranged by Myles Collins. Swing. Full score and set of parts. Published by Lush Life (JL.LL-1246).
Here is Artie Shaw's version of the old Hickman & Williams tune, Rose Room, though it has been adapted to 8 brass from the original 6. The chord progression of this tune was later used by Ellington to form the foundation of 'In a Mellow Tone.' Shaw's version features clarinet, (all solos have been written out in full) some wonderful close-scored sax soli passages, and a cameo trumpet solo (also written out, with chords too). The first 32-measure chorus belongs to the clarinet, the second is for the saxes, and the final chorus contains some stylish ensemble writing that brings the chart to a rousing conclusion. The reeds are written for CAATT, with the second alto doubling baritone. An optional alto 3 part - a transposition of the Tenor 1 part - has been included that allows for one of your tenor players to take the solo clarinet lead. The brass ranges are moderate, with lead trumpet only reaching high C. A fine chart from the Artie Shaw book. Ranges: Trumpets 1-4: C6, A5, G5, E5 Trombones 1-4: Bb4, Ab4, F4, D4.
Big band - Medium
SKU: JL.LL-1246
By Artie Shaw. Arranged by Myles Collins. Swing. Full score and set of parts. Published by Lush Life (JL.LL-1246).
Here is Artie Shaw's version of the old Hickman & Williams tune, Rose Room, though it has been adapted to 8 brass from the original 6. The chord progression of this tune was later used by Ellington to form the foundation of 'In a Mellow Tone.' Shaw's version features clarinet, (all solos have been written out in full) some wonderful close-scored sax soli passages, and a cameo trumpet solo (also written out, with chords too). The first 32-measure chorus belongs to the clarinet, the second is for the saxes, and the final chorus contains some stylish ensemble writing that brings the chart to a rousing conclusion. The reeds are written for CAATT, with the second alto doubling baritone. An optional alto 3 part - a transposition of the Tenor 1 part - has been included that allows for one of your tenor players to take the solo clarinet lead. The brass ranges are moderate, with lead trumpet only reaching high C. A fine chart from the Artie Shaw book. Ranges: Trumpets 1-4: C6, A5, G5, E5 Trombones 1-4: Bb4, Ab4, F4, D4.
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