19259998
Rocker
19259998
19259998
19259998
Copyright Material for Preview Only - Sheet Music Plus
Nonet [6 horn with rhythm section] (Horn 1: Alto Saxophone, Horn 2: Baritone Saxophone, Horn 3: Trumpet, Horn 4: Horn in F (or Trumpet 2 or Tenor Sax), Horn 5: Trombone, Horn 6: Tuba (or Bass Trombone), Piano, Bass, Drums) - Medium
SKU: JL.JLP-8050
By Miles Davis. Edited by Jeffrey Sultanof. Arranged by Gerry Mulligan. Swing. Full score and set of parts. Jazz Lines Publications #JLP-8050. Published by Jazz Lines Publications (JL.JLP-8050).
Gil Evans set up shop in his small New York apartment above a Chinese laundry acting as an advisor to a group of jazz musicians. Evans was already well-known as an adventurous arranger who took inspiration from classical composers of the day. Miles Davis was trying to separate himself from the bebop club scene, of which he was a part in Charlie Parker's groups. In 1947 Davis and Evans organized a group of musicians into a working nonet and began to rehearse some new material. The musicians that were in the group included: Miles Davis (trumpet), Mike Zwerin (trombone), Bill Barber (tuba), Junior Collins (French horn), Gerry Mulligan (baritone saxophone), Lee Konitz (alto saxophone), John Lewis (piano), Al McKibbon (bass), and Max Roach (drums). The emphasis of this group was the arrangements and the re-definition of the current jazz scene. They invented what came to be known as the 'cool school.' In 1949 Davis enlisted Gerry Mulligan, John Lewis, Gil Evans and Johnny Carisi to write 12 arrangements that were recorded by Capitol Records. Three recording sessions over the next year yielded the famous 'Birth of the Cool' record. Here is another great arrangement from the famous 'Birth of the Cool' session. Gerry Mulligan's arrangement features solo space for trumpet, alto sax, and baritone sax. This chart has been produced directly from the original manuscripts. The solos have been transcribed and are presented as-played. But, chord changed are also included in the event that your players wish to improvise. An alternate B flat part for the French horn is included that may be played by a second trumpet or a tenor sax. And, the tuba part may be played by a bass trombone. This Jeffrey Sultanof Master Edition comes with complete performance and historical notes.
Nonet [6 horn with rhythm section] (Horn 1: Alto Saxophone, Horn 2: Baritone Saxophone, Horn 3: Trumpet, Horn 4: Horn in F (or Trumpet 2 or Tenor Sax), Horn 5: Trombone, Horn 6: Tuba (or Bass Trombone), Piano, Bass, Drums) - Medium
SKU: JL.JLP-8050
By Miles Davis. Edited by Jeffrey Sultanof. Arranged by Gerry Mulligan. Swing. Full score and set of parts. Jazz Lines Publications #JLP-8050. Published by Jazz Lines Publications (JL.JLP-8050).
Gil Evans set up shop in his small New York apartment above a Chinese laundry acting as an advisor to a group of jazz musicians. Evans was already well-known as an adventurous arranger who took inspiration from classical composers of the day. Miles Davis was trying to separate himself from the bebop club scene, of which he was a part in Charlie Parker's groups. In 1947 Davis and Evans organized a group of musicians into a working nonet and began to rehearse some new material. The musicians that were in the group included: Miles Davis (trumpet), Mike Zwerin (trombone), Bill Barber (tuba), Junior Collins (French horn), Gerry Mulligan (baritone saxophone), Lee Konitz (alto saxophone), John Lewis (piano), Al McKibbon (bass), and Max Roach (drums). The emphasis of this group was the arrangements and the re-definition of the current jazz scene. They invented what came to be known as the 'cool school.' In 1949 Davis enlisted Gerry Mulligan, John Lewis, Gil Evans and Johnny Carisi to write 12 arrangements that were recorded by Capitol Records. Three recording sessions over the next year yielded the famous 'Birth of the Cool' record. Here is another great arrangement from the famous 'Birth of the Cool' session. Gerry Mulligan's arrangement features solo space for trumpet, alto sax, and baritone sax. This chart has been produced directly from the original manuscripts. The solos have been transcribed and are presented as-played. But, chord changed are also included in the event that your players wish to improvise. An alternate B flat part for the French horn is included that may be played by a second trumpet or a tenor sax. And, the tuba part may be played by a bass trombone. This Jeffrey Sultanof Master Edition comes with complete performance and historical notes.
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