19935412
Requiem in f
19935412
19935412
19935412
Copyright Material for Preview Only - Sheet Music Plus
Orchestra Soli SSATTB, Coro SATB, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb - Grade 4
SKU: CA.2730119
Composed by Franz Lachner. Requiem In F-Moll. Sacred vocal music, Requiem. Set of parts. Composed 1856. Op. 146. Duration 60 minutes. Carus Verlag #CV 27.301/19. Published by Carus Verlag (CA.2730119).
ISBN 9790007201333. 9 x 12 inches. Key: F minor. Language: Latin.
The Requiem in F minor op. 146 is the most well-known and most important work by Franz Lachner. The composer, living for a long time in Vienna, developed as a "classicist romantic" composer, who merged classical form, baroque fugue and romantic emotional impact in a very personal style. Lachner’s Requiem shows a clear expression of his admiration for Mozart, although his music differs essentially from Mozart’s. In its content it displays both conservative, backward-looking features and extremely progressive characteristics. While an introverted mood prevails throughout most of the work, the large orchestral ensemble reveals its full effect in a few dramatic passages. Because of the work’s size and the scoring it was impossible to use the Requiem in the liturgy. But precisely its performance in a secular "forum" made it one of Lachner’s best known compositions.
Orchestra Soli SSATTB, Coro SATB, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb - Grade 4
SKU: CA.2730119
Composed by Franz Lachner. Requiem In F-Moll. Sacred vocal music, Requiem. Set of parts. Composed 1856. Op. 146. Duration 60 minutes. Carus Verlag #CV 27.301/19. Published by Carus Verlag (CA.2730119).
ISBN 9790007201333. 9 x 12 inches. Key: F minor. Language: Latin.
The Requiem in F minor op. 146 is the most well-known and most important work by Franz Lachner. The composer, living for a long time in Vienna, developed as a "classicist romantic" composer, who merged classical form, baroque fugue and romantic emotional impact in a very personal style. Lachner’s Requiem shows a clear expression of his admiration for Mozart, although his music differs essentially from Mozart’s. In its content it displays both conservative, backward-looking features and extremely progressive characteristics. While an introverted mood prevails throughout most of the work, the large orchestral ensemble reveals its full effect in a few dramatic passages. Because of the work’s size and the scoring it was impossible to use the Requiem in the liturgy. But precisely its performance in a secular "forum" made it one of Lachner’s best known compositions.
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