6027249
Reminiscences
6027249
6027249
6027249
Copyright Material for Preview Only - Sheet Music Plus
Recorder Quartet - intermediate to advanced
SKU: HL.49011310
For Recorder Quartet. Composed by Hans-Martin Linde. This edition: Saddle stitching. Sheet music. Originalmusik fur Blockflote (Recorder Library). Classical. Score and Parts. Composed 2001. 43 pages. Schott Music #OFB202. Published by Schott Music (HL.49011310).
ISBN 9790001135474. UPC: 073999592535. 9.0x12.0x0.142 inches.
Hans-Martin Linde (b. 1930) is not only one of the best-known recorder players of the twentieth Century, but has enriched the contemporary recorder repertoire with significant works for concert performance and tuition purposes. The composition Reminiscences for Quartet, for the unusual and delightful-sounding combination A[treble]/T/T/B, uses musical themes from the 15th to 17th Centuries: from a “Prélude à l'imitation” by Froberger, a melody by Claudio Saraceni “Da te parto”, themes from keyboard sonatas by Domenico Scarlatti, the Chanson “Adieu, mes très belles” by Binchois and a ground bass from Purcell's harpsichord collection “Musik's Handmaid”. The composer writes: “In many of my compositions a meeting takes place between old and new. In this Suite, too, present events unfold against the background of the past. Models from early music are mirrored in the present.”.
Recorder Quartet - intermediate to advanced
SKU: HL.49011310
For Recorder Quartet. Composed by Hans-Martin Linde. This edition: Saddle stitching. Sheet music. Originalmusik fur Blockflote (Recorder Library). Classical. Score and Parts. Composed 2001. 43 pages. Schott Music #OFB202. Published by Schott Music (HL.49011310).
ISBN 9790001135474. UPC: 073999592535. 9.0x12.0x0.142 inches.
Hans-Martin Linde (b. 1930) is not only one of the best-known recorder players of the twentieth Century, but has enriched the contemporary recorder repertoire with significant works for concert performance and tuition purposes. The composition Reminiscences for Quartet, for the unusual and delightful-sounding combination A[treble]/T/T/B, uses musical themes from the 15th to 17th Centuries: from a “Prélude à l'imitation” by Froberger, a melody by Claudio Saraceni “Da te parto”, themes from keyboard sonatas by Domenico Scarlatti, the Chanson “Adieu, mes très belles” by Binchois and a ground bass from Purcell's harpsichord collection “Musik's Handmaid”. The composer writes: “In many of my compositions a meeting takes place between old and new. In this Suite, too, present events unfold against the background of the past. Models from early music are mirrored in the present.”.
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