Recercari, et Canzoni franzese (Rom, Zannetti, 1615, ²1618) Rom, Zannetti, 1615, 1618 by Girolamo Frescobaldi Harpsichord - Sheet Music

By Girolamo Frescobaldi

Girolamo Frescobaldi’s music profoundly influenced such composers as Froberger, Buxtehude, J. S. Bach and Muffat. This is a new Urtext edition in four volumes which provides professional musicians, musicologists as well as interested amateurs with a musical text which incorporates the latest musicological research giving a comprehensive account of all currently known sources and their genesis. This edition was prepared by Kenneth Gilbert and Christopher Stembridge , perhaps the leading authorities in the field.Each volume in the New Frescobaldi Edition opens with an introduction to the genesis, sources, performance practice, and editorial methodology and ends with a critical report.

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Details

Instrument:
Harpsichord Organ Piano Organ Solo
Genres:
Baroque Period Renaissance
Composers:
Girolamo Frescobaldi
Publishers:
Baerenreiter Verlag
Series:
Barenreiter Urtext
ISBN:
9790006506217
Format:
Performance Score Anthology
Item types:
Physical
Artist:
Girolamo Frescobaldi
Usages:
School and Community
Size:
9.45 x 12.01 inches
Shipping Weight:
1.39 pounds

Organ, piano, harpsichord - Level 4

SKU: BA.BA08411

Rom, Zannetti, 1615, 1618. Composed by Girolamo Frescobaldi. Edited by Kenneth Gilbert; Christopher Stembridge. This edition: urtext edition. Paperback. Girolamo Frescobaldi. Organ and Keyboard Works 1.1 | BARENREITER URTEXT. Neuausgabe. Performance score, anthology. Baerenreiter Verlag #BA08411. Published by Baerenreiter Verlag (BA.BA08411).

ISBN 9790006506217. 9.45 x 12.01 inches.

Girolamo Frescobaldi’s music profoundly influenced such composers as Froberger, Buxtehude, J. S. Bach and Muffat. This is a new Urtext edition in four volumes which provides professional musicians, musicologists as well as interested amateurs with a musical text which incorporates the latest musicological research giving a comprehensive account of all currently known sources and their genesis. This edition was prepared by Kenneth Gilbert and Christopher Stembridge , perhaps the leading authorities in the field.

Each volume in the New Frescobaldi Edition opens with an introduction to the genesis, sources, performance practice, and editorial methodology and ends with a critical report.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?

MUSICOLOGICALLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

 

Ratings + Reviews

2 Rating

1 review

Bowlbs

Dec 21, 2017

Disappointed

Had I known before purchasing this volume that 2/3 of the book would be given up to academic-scholarly reportage, then I would have passed on this volume. The academic vibe of the description was so boring that I literally was falling asleep trying to read (and decipher) what on earth was being said. If you are a PhD level musicologist then perhaps this volume will serve you well, but I wanted more meat on the bone, so to speak. Which means more music. Sure, Frescobaldi, to some, is the ultimate but I just wanted the music. If youre looking for just music, look into the Edition-Peters volumes, which dont waste your time with academic posturing. Disappointed. And very pricey!