Rasmussen My Spring Diary Vol2 Pf Piano by Karl Aage Rasmussen Piano Solo - Sheet Music

By Karl Aage Rasmussen

My Spring Diary (Min Forårsdagbog) - Piano Pieces Vol. 2 by Karl Aage Rasmussen . Programme note In this, the second volume of My Spring Diary, which depicts the progress of the day from afternoon to night, the technical difficulties are generally greater than in vol. 1, and all the pieces are for piano solo. Freer use is made of the various types of notation which were introduced in the first volume. The 8 th piece (“Day’s End”) uses towards the end the type of notation called “open form”. The piece is a kind of musical resumé of the whole collection – elements of the earlier pieces reappear and at the end of the piecethe performer can exercise control over the way in which these elements are combined. The sequence of the individual groups is free, and it is not obligatory to play all of them. The only limitation is that the arrows within the individual groups must be followed and that the piece should end with the short passage marked “conclusion”.  

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Details

Instrument:
Piano Solo
Genres:
Classical
Composers:
Karl Aage Rasmussen
Publishers:
Edition Wilhelm Hansen
ISBN:
9788759887943
Format:
Collection / Songbook
Item types:
Physical
Artist:
Karl Aage Rasmussen
Usages:
School and Community
Number of Pages:
16
Shipping Weight:
0.99 pounds

Piano - Grade 4

SKU: HL.14026911

Composed by Karl Aage Rasmussen. Music Sales America. Classical. Book [Softcover]. Composed 2017. 16 pages. Edition Wilhelm Hansen #WH29308. Published by Edition Wilhelm Hansen (HL.14026911).

ISBN 9788759887943. English.

My Spring Diary (Min Forårsdagbog) - Piano Pieces Vol. 2 by Karl Aage Rasmussen . Programme note In this, the second volume of My Spring Diary, which depicts the progress of the day from afternoon to night, the technical difficulties are generally greater than in vol. 1, and all the pieces are for piano solo. Freer use is made of the various types of notation which were introduced in the first volume. The 8 th piece (“Day’s End”) uses towards the end the type of notation called “open form”. The piece is a kind of musical resumé of the whole collection – elements of the earlier pieces reappear and at the end of the piecethe performer can exercise control over the way in which these elements are combined. The sequence of the individual groups is free, and it is not obligatory to play all of them. The only limitation is that the arrows within the individual groups must be followed and that the piece should end with the short passage marked “conclusion”.  .